-
Friday, 18 November 2022 Museo Reina Sofía, Nouvel Building, Auditorium 200 and Online platform
Eco-social Crisis. Transition, Decline, Rupture or Collapse?
Encounter with Laia Forné, Erika González, Isidro López Hernández, Emilio Santiago Muíño and the Feministas por el Clima, Extinction Rebellion and Fridays for Future collectives
TicketsLiving in a phase of transition, collapse, decline or mutation means to breathe and do politics in different worlds. While we act to propel desirable horizons, we need an in-depth exploration of the origins and eco-social dimensions of the current crisis. This session presents different frameworks of interpretation of this crisis and, as a result, different political forms to deal with it.
-
Saturday, 19 November 2022 Ateneo La Maliciosa (Calle de las Peñuelas, 12, Madrid)
Organising Ourselves in the Eco-social Crisis. Joint Strategies
Encounter-assembly with Arterra Bizimodu, Ecologistas en Acción, Plataforma para la Defensa de la Cordillera Cantábrica, Rojava Azadi and Tabadol
Despite feeling the impact of the eco-social crisis more keenly in our lives, we continue to think of the world in terms of growth, State demands or norms of consumerism in accordance with a society of middle classes from the global centre. It is time to analyse, therefore, how the eco-social crosses through and transforms our struggles, and whether these inescapable changes open new ways of understanding them and their relationship to other movements.
The session takes the form of an open assembly to imagine and debate possible joint strategies opposite the eco-social crisis.

Held on 18, 19 nov 2022
A framework that encompasses successive crises which shape the present sociopolitical context and consequences that start to become embedded — constant price hikes, high temperature warnings, a dearth of resources, new and ever-closer military interventions — raises questions over the exact crisis we are facing. And if the current model is exhausted, what is our future?
It would be advantageous for present and future emancipatory movements to interpret our era’s global set of problems both rigorously and appropriately. To utter “environmental crisis” or “climate emergency” often places an unsettling question at the centre: And what if we are not facing a new stumbling block in the development of capitalism but an epoch-defining crisis?
The current ecology-world configuration is at risk and the limits we face are, as well as being biophysical, social and political, which means that the environmental crisis is not simply a partial problem considered and resolved exclusively from environmental sectors. It concerns a systemic crisis that affects the entire social and organisational order, including a capitalist system that does not provide us with a viable response but displaces it in time and space through unpaid work, debt and the colonisation of territories.
Museo Reina Sofía and Ateneo La Maliciosa welcome this open encounter, which unfolds a collective evaluation of forms of organisation and the political strategies practiced to date in order to tackle these problems. It also concludes the course organised by Fundación de los Comunes (the Commons Foundation) entitled The Future is Unwritten. Organising the Capitalocene Crisis.
[dropdown]
Arterra Bizimodu is a community that was created in 2014 in the town of Artieda, Navarra. With the slogan “Another world is not only possible, but necessary”, its aim is to make activities aligned towards self-sufficiency more dynamic and to look for other economies that reflect a new equilibrium between the personal and the collective, developing the creativity and different talents of each person that joins the project.
Ecologistas en Acción is a confederation of more than 300 environmentalists organised territorially into federations and groups. Its practices are approached from social environmentalism, which understands that the origin of environmental problems comes increasingly from a globalised model of production and consumption, which also gives rise to other social problems.
Feministas por el Clima is a Madrid-based ecofeminist initiative that assembles over one hundred women from different feminist and environmental collectives. Its main challenges, the fight against climate change and gender equality, are closely linked in confronting a profoundly unequal system.
Laia Forné is an urban sociologist specialised in urban planning, democracy and common property. The co-founder of La Hidra Cooperativa, she participates in different urban movements in Barcelona and is an advisor to different public administrations. Between 2015 and 2019, she was the chief of staff in the Citizen Participation Department of Barcelona City Council. Among other publications, she has collaborated in the collective book Ciudades democráticas (Icaria editorial, 2019).
Fridays For Future is a global climate strike movement directed and organised by young people which was established in August 2018. Its demands include maintaining the global temperature increase below 1.5°C with respect to pre-industrial levels and to guarantee justice and climate equality.
Erika González is a researcher in the Observatory of Multi-Nationals in Latin America – Paz con Dignidad. Her research work focuses on power and the impact and violation of human rights committed by transnational companies, particularly Spanish companies in Latin America. She has tackled this issue, with Pedro Ramiro, in the publications Smurfit Kappa en Colombia: impactos socioecológicos y violaciones de derechos humanos (SumOfUs, OMAL and LASC, 2022) and A dónde va el capitalismo español (Traficantes de Sueños, 2019).
Isidro López Hernández is a sociologist and anthropologist and a representative in the tenth legislature of the Assembly of Madrid. He is also the co-author, with Emmanuel Rodríguez, of Fin de ciclo: financiarización, territorio y sociedad de propietarios en la onda larga del capitalismo hispano (1959-2010) (Traficantes de Sueños, 2010).
Plataforma para la Defensa de la Cordillera Cantábrica is an association which came into being in 2004 with the aim of defending the landscape and environmental unity of the Cordillera Cantábrica mountain range in the face of potential environmental attacks. Its sphere of action is on a national level, chiefly in the territories that make up this mountainous system: Asturias/Asturies; Cantabria; Zamora, León/Llión, Palencia and Burgos; Lugo and Orense/Ourense; Álava/Araba; and La Rioja.
Rojava Azadi is a Madrid-based collective of people with an interest in granting visibility to and supporting emancipatory struggles being carried out in Kurdistan, particularly in the social process of the Rojava Revolution and the model of democratic self-government put forward. Its aim is to spark debate and collective reflection, and to bolster communication and international solidarity, interweaving support networks to facilitate fraternity between people and social mobilisation.
Emilio Santiago Muíño holds a PhD in Social Anthropology from the Autonomous University of Madrid and is a researcher and eco-social activist. He is the author of books that include ¿Qué hacer en caso de incendio? Manifiesto por el Green New Deal (Capitán Swing, 2019), Opción Cero: el reverdecimiento forzoso de la Revolución cubana (Los Libros de la Catarata-FUHEM, 2017) and No es una estafa, es una crisis (de civilización) (Enclave, 2015), and is currently a senior scientist with the Spanish National Research Council (CSIC) in the Department of Anthropology.
Tabadol is a cultural association that defends the rights of residents in Cañada Real. Its objectives include improving social cohesion and community revitalisation in order to prevent situations that hinder co-existence and community development
[/dropdown]
Organised by
Museo Reina Sofía and Fundación de los Comunes
Organised by

Participants
Participants
Más actividades

Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.

Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.

Fifteenth Edition of the Márgenes Festival
Sunday, 23 November 2025 - 7:30pm
This year’s opening night of the fifteenth edition of the Márgenes International Contemporary Film Festival will take place inside the Museo Reina Sofía. The inaugural session will witness artists Neutro Gris and Nodoaviom perform, live and for the first time, the multimedia performance Music 4 Salvation, which extends their language towards a sensorial experience fusing sound, image and digital emotion.
Music 4 Salvation unfolds as a sound and visual collage in which different strands are linked in one sole narrative of youth and adulthood, notions from which the piece puts forward a second reading of popular symbology and iconography and culminates by evoking the transitional time between these two stages of life. And all from a post-internet gaze and found footage aesthetics.
The Márgenes Festival is held from 23 to 30 November in Madrid and shines a light on innovative initiatives that combine up-and-coming and acclaimed talent. Its film programme explores the convergence of cinema, the visual arts and sound art with approaches that expand the limits of the film experience, encompassing screenings, audiovisual shows, performances, encounters and sessions for children. In addition to the opening event, the Museo also welcomes, among the organised activities this year, the series Emotional Interface. The Films of Metahaven.

The History and Roots of Samba
Saturday, 22 November 2025 – 6pm
Museo Situado and the Maloka Brazilian Cultural Association come together to offer this artistic, historical and social activity in conjunction with Black Consciousness Day in Brazil, which pays homage to Dandara and Zumbi dos Palmares, universal symbols of Afro-Brazilian resistance and the fight against slavery.
In the activity, dance, poetry and performance become tools of memory and resistance via a programme which surveys the history of samba, from its origins in Bahia to its consolidation in Rio de Janeiro. It features the participation of more than ten Brazilian artists and pays homage to key figures in samba such as Tia Ciata, Clementina de Jesús, Cartola, Dona Ivone Lara, Elza Soares, Martinho da Vila and Alcione.
Further, the event seeks to shine a light on the richness of Afro-Brazilian culture while opening a space of reflection on resistance to racism throughout history and today, as well as inequality and disregard. In the words of philosopher Sueli Carneiro (2000), “the fight for the rights of black women and the community of African descent is inseparable from the rescue of history and the memory of our ancestors”. It is an artistic and vindicatory celebration that invites the whole community to aquilombarse: to come together, celebrate and affirm collective memory, for, as sociologist Florestan Fernandes (1976) affirmed, “the history of peoples of African descent can only be understood through the active resistance to oppression”. Long live Dandara. Long live Zumbi. Long live Afro-Brazilian ancestry.

Crossed Vignettes
Friday, 21 November 2025 – Check programme
The Crossed Vignettes conference analyses the authorship of comics created by women from an intergenerational perspective and draws from the Museo Reina Sofía Collections. Across different round-table discussions, the programme features the participation of illustrators Marika, Carla Berrocal, Laura Pérez Vernetti and Bea Lema and researchers Viviane Alary, Virginie Giuliana and Elisa McCausland.
The aim of the encounter is twofold: to explore in greater depth the different forms in which women comic book artists have contributed to developing a counterculture; namely, the appearance of ruptures, reformulations and new genres within the ninth art. And to set up a dialogue which ignites an exploration of genealogies linking different generations of artists.
Moreover, the activity is put forward as a continuation to the exhibition Young Ladies the World Over, Unite! Women Adult Comic Book Writers (1967–1993) and the First International Conference on Feminist Comic Book Genealogies, held in April 2024 at the Complutense University of Madrid.
In redefining the visual narratives of the comic book and questioning gender stereotypes in a male-dominated world, women comic book writers and artists have impelled greater visibility and a more prominent role for women in this sphere. The study of intergenerational dialogue between female artists past and present enables an analysis of the way in which these voices reinterpret and carry the legacy of their predecessors, contributing new perspectives, forms of artistic expression and a gender-based hybridisation which enhances the world of comics.
The conference, organised jointly by the Museo Reina Sofía and Université Clermont Auvergne/CELIS (UR4280), features the participation of the Casa de Velázquez and is framed inside the context of the CALC programme The Spanish Artistic Canon. Between Critical Literature and Popular Culture: Propaganda, Debates, Advertising (1959–1992), co-directed by Virginie Giuliana. It is also the outcome of the projects Horizon Europa COST Actions iCOn-MICs (Comics and Graphic Novels from the Iberian Cultural Area, CA19119) and COS-MICs (Comics and Sciences, CA24160).



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)