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                        Friday, 18 November 2022 Museo Reina Sofía, Nouvel Building, Auditorium 200 and Online platform Eco-social Crisis. Transition, Decline, Rupture or Collapse?Encounter with Laia Forné, Erika González, Isidro López Hernández, Emilio Santiago Muíño and the Feministas por el Clima, Extinction Rebellion and Fridays for Future collectives TicketsLiving in a phase of transition, collapse, decline or mutation means to breathe and do politics in different worlds. While we act to propel desirable horizons, we need an in-depth exploration of the origins and eco-social dimensions of the current crisis. This session presents different frameworks of interpretation of this crisis and, as a result, different political forms to deal with it. 
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                        Saturday, 19 November 2022 Ateneo La Maliciosa (Calle de las Peñuelas, 12, Madrid) Organising Ourselves in the Eco-social Crisis. Joint StrategiesEncounter-assembly with Arterra Bizimodu, Ecologistas en Acción, Plataforma para la Defensa de la Cordillera Cantábrica, Rojava Azadi and Tabadol Despite feeling the impact of the eco-social crisis more keenly in our lives, we continue to think of the world in terms of growth, State demands or norms of consumerism in accordance with a society of middle classes from the global centre. It is time to analyse, therefore, how the eco-social crosses through and transforms our struggles, and whether these inescapable changes open new ways of understanding them and their relationship to other movements. The session takes the form of an open assembly to imagine and debate possible joint strategies opposite the eco-social crisis. 

Held on 18, 19 nov 2022
A framework that encompasses successive crises which shape the present sociopolitical context and consequences that start to become embedded — constant price hikes, high temperature warnings, a dearth of resources, new and ever-closer military interventions — raises questions over the exact crisis we are facing. And if the current model is exhausted, what is our future?
It would be advantageous for present and future emancipatory movements to interpret our era’s global set of problems both rigorously and appropriately. To utter “environmental crisis” or “climate emergency” often places an unsettling question at the centre: And what if we are not facing a new stumbling block in the development of capitalism but an epoch-defining crisis?
The current ecology-world configuration is at risk and the limits we face are, as well as being biophysical, social and political, which means that the environmental crisis is not simply a partial problem considered and resolved exclusively from environmental sectors. It concerns a systemic crisis that affects the entire social and organisational order, including a capitalist system that does not provide us with a viable response but displaces it in time and space through unpaid work, debt and the colonisation of territories.
Museo Reina Sofía and Ateneo La Maliciosa welcome this open encounter, which unfolds a collective evaluation of forms of organisation and the political strategies practiced to date in order to tackle these problems. It also concludes the course organised by Fundación de los Comunes (the Commons Foundation) entitled The Future is Unwritten. Organising the Capitalocene Crisis.
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Arterra Bizimodu is a community that was created in 2014 in the town of Artieda, Navarra. With the slogan “Another world is not only possible, but necessary”, its aim is to make activities aligned towards self-sufficiency more dynamic and to look for other economies that reflect a new equilibrium between the personal and the collective, developing the creativity and different talents of each person that joins the project.
Ecologistas en Acción is a confederation of more than 300 environmentalists organised territorially into federations and groups. Its practices are approached from social environmentalism, which understands that the origin of environmental problems comes increasingly from a globalised model of production and consumption, which also gives rise to other social problems.
Feministas por el Clima is a Madrid-based ecofeminist initiative that assembles over one hundred women from different feminist and environmental collectives. Its main challenges, the fight against climate change and gender equality, are closely linked in confronting a profoundly unequal system.
Laia Forné is an urban sociologist specialised in urban planning, democracy and common property. The co-founder of La Hidra Cooperativa, she participates in different urban movements in Barcelona and is an advisor to different public administrations. Between 2015 and 2019, she was the chief of staff in the Citizen Participation Department of Barcelona City Council. Among other publications, she has collaborated in the collective book Ciudades democráticas (Icaria editorial, 2019).
Fridays For Future is a global climate strike movement directed and organised by young people which was established in August 2018. Its demands include maintaining the global temperature increase below 1.5°C with respect to pre-industrial levels and to guarantee justice and climate equality.
Erika González is a researcher in the Observatory of Multi-Nationals in Latin America – Paz con Dignidad. Her research work focuses on power and the impact and violation of human rights committed by transnational companies, particularly Spanish companies in Latin America. She has tackled this issue, with Pedro Ramiro, in the publications Smurfit Kappa en Colombia: impactos socioecológicos y violaciones de derechos humanos (SumOfUs, OMAL and LASC, 2022) and A dónde va el capitalismo español (Traficantes de Sueños, 2019).
Isidro López Hernández is a sociologist and anthropologist and a representative in the tenth legislature of the Assembly of Madrid. He is also the co-author, with Emmanuel Rodríguez, of Fin de ciclo: financiarización, territorio y sociedad de propietarios en la onda larga del capitalismo hispano (1959-2010) (Traficantes de Sueños, 2010).
Plataforma para la Defensa de la Cordillera Cantábrica is an association which came into being in 2004 with the aim of defending the landscape and environmental unity of the Cordillera Cantábrica mountain range in the face of potential environmental attacks. Its sphere of action is on a national level, chiefly in the territories that make up this mountainous system: Asturias/Asturies; Cantabria; Zamora, León/Llión, Palencia and Burgos; Lugo and Orense/Ourense; Álava/Araba; and La Rioja.
Rojava Azadi is a Madrid-based collective of people with an interest in granting visibility to and supporting emancipatory struggles being carried out in Kurdistan, particularly in the social process of the Rojava Revolution and the model of democratic self-government put forward. Its aim is to spark debate and collective reflection, and to bolster communication and international solidarity, interweaving support networks to facilitate fraternity between people and social mobilisation.
Emilio Santiago Muíño holds a PhD in Social Anthropology from the Autonomous University of Madrid and is a researcher and eco-social activist. He is the author of books that include ¿Qué hacer en caso de incendio? Manifiesto por el Green New Deal (Capitán Swing, 2019), Opción Cero: el reverdecimiento forzoso de la Revolución cubana (Los Libros de la Catarata-FUHEM, 2017) and No es una estafa, es una crisis (de civilización) (Enclave, 2015), and is currently a senior scientist with the Spanish National Research Council (CSIC) in the Department of Anthropology.
Tabadol is a cultural association that defends the rights of residents in Cañada Real. Its objectives include improving social cohesion and community revitalisation in order to prevent situations that hinder co-existence and community development
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Museo Reina Sofía and Fundación de los Comunes
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 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)