For a Care Statute. A Collective Writing Proposal for a Legal Fiction with Real Effects
Study Group
![Darya von Berner, Cintia, de la serie fotográfica Political Maternity [Maternidad política], 2015-2019](https://recursos.museoreinasofia.es/styles/large_landscape/public/Actividades/estatuto_cuidados.png.webp)
Held on 25 feb 2021
What would happen if we thought of care as a job? What is stopping us from thinking that way? What is gained and what is lost? Why don’t those who provide care have the right to rest, retire and receive payment? Why does this activity remain marginalised from the productive, the public and the visible? And what if we thought and wrote about rights, payment and the relationships of bodies that gestate and support?
This study group sets out from these questions to propose a collaborative exercise of legal fiction, the aim being to formulate, on the basis of Spain’s Workers’ Statute, a possible Care Statue, voluntarily applying the customary labour law language and the trade union struggle as an appropriation that sets in motion political imagination and foreshadows future scenarios.
The programme is divided into five sessions approached from trans-inclusive, intersectional, anti-racist, non-Eurocentric and non-essentialist feminisms, with each encounter organised around a talk given by a guest speaker, followed by an exercise to collaboratively write the Statute. The study group coordinators, Luisa Fuentes Guaza and Marta Malo, are joined by lawyer and activist Marta Busquets; writer, teacher and activist Silvia Federici; carer and activist Graciela Gallego; sociologist, educator and translator Helen Torres; and teacher and researcher Cristina Vega.
Programme
Thursday, 25 February 2021
Session 1. What Are the Bodies or Sphere of Application?
Who administers care and who receives care, both in the home and in other social care institutions (schools, care homes, youth centres, centres for vulnerable children…)? Why these bodies and not others? What are the implications in terms of the position in the social body? Taking on these questions, this introductory session sets out the idea of a Care Statute and will delve into speculative fiction as a transfeminist exercise of prefiguration for urgent futures.
Thursday, 11 March 2021
Session 2. What Are the Subject Matter and Infrastructures?
By way of a reflection on the specific nature of work implied in care, a debate is sought around the means of production upholding its current social organisation. The demands and needs, as much of bodies that care as bodies that require care, enable us to imagine which infrastructures could foster more agreeable and less oppressive social organisation.
Thursday, 22 April 2021
Session 3. What Are the Rights?
Which rights would correspond to bodies that care and bodies that need care? On the basis of Article 4 of Spain’s Workers’ Statute, there will be a study of equivalent rights for the Care Statute and the formulation and guarantee types such key rights may have, for instance the right to rest time (Article 37). Furthermore, there will be a definition of the need to define new and specific rights for care work.
Thursday, 6 May 2021
Session 4. What Are the Working Hours and Payment?
How can we establish hours and payment for the range of care practices? This session seeks to explore further the concept of salary, its structure, the wage guarantee fund and interprofessional guaranteed minimum wage. Different quantification strategies drafted from the feminist economy to determine the cost of assets and services produced by bodies that take on care work will be discussed here. In addition to attempting to unravel the different types of work accumulated in this sphere, the aim is to imagine another structuring of working hours, which are generally continuous, that does not naturalise either the exhaustion of care bodies or the infantilisation of cared-for bodies.
Thursday, 3 June 2021
Session 5. What Are the Possible Unionisations?
Can we articulate collective negotiation in care work? Drawing on references of articles that regulate collective negotiation, this session attempts to identify the agents that should sit around a possible negotiation table on the social organisation of care: managers, government, unions… additionally, there is a desire to think about modes of unionism of care work in different variants: Which mechanisms of organisation, tools of self-protection and strategies of pressure and negotiation are being tried out and which can be conceivably imagined?
Coordinated by
Luisa Fuentes Guaza and Marta Malo
Organised by
Museo Reina Sofía
Educational program developed with the sponsorship of

Participants
Marta Busquets Gallego is a feminist activist and lawyer specialised in gender and sexual and reproductive rights, and president of Dona Llum - Associació Catalana per un Part Respectat. She is a podcaster on Maternidades con gafas violetas and author of the book Mi embarazo y mi parto son míos (Pol·len, 2019).
Silvia Federici is an Italian-American writer, teacher and feminist activist who has been one of the driving forces behind campaigns started to vindicate wages for housework done by women as a claim from the feminist economy. She worked for a number of years as a teacher in Nigeria and is currently professor emerita at Hofstra University in New York. Both paths meet in two of her best-known works: Calibán y la bruja: mujeres, cuerpo y acumulación originaria (Traficantes de Sueños, 2004) and Revolución en punto cero: trabajo doméstico, reproducción y luchas feministas (Traficantes de Sueños, 2013).
Luisa Fuentes Guaza is an independent researcher and theorist and activist for emancipatory, anti-racist and non-colonial maternal work. She coordinates the study groups on maternal work in the Museo Reina Sofía’s Study Centre: Critical Bodies that Gestate and/or Support and The Switch of Internal Mobilisations (Intimate-Revolutions) on Maternal Work. Furthermore, she works in collaboration with institutions, platforms and collectives in Central America, Mexico, Chile and Peru.
Graciela Gallego Cardona has worked caring for the elderly for the past 19 years and is an activist for the rights and dignity of domestic and care workers. She is one of the promoters of the recently conceived Union of Home and Care Workers (SINTRAHOCU).
Marta Malo is a translator and independent researcher and editor and co-author of Nociones comunes. Ensayos entre investigación y militancia (Traficantes de Sueños, 2004) and A la deriva por los circuitos de la precariedad femenina (Traficantes de Sueños, 2004). She has helped drive different spaces and initiatives of activist research, such as Precarias a la deriva, Observatorio Metropolitan, Ferrocarril Clandestino-Manos Invisibles, Entrar Afuera and Laboratoria.
Helen Torres is a sociologist, educator and translator who works from feminist and decolonial perspectives in the articulation between language, art and politics. Her publications include the novel Autopsia de una langosta (Melusina, 2010) and the anthology Relatos marranos (Pol·len, 2015). Moreover, she has developed geo-localised sound narratives and literary walks, and specialises in the work of Donna Haraway, translating a number of her works into Spanish. She currently conducts workshops of speculative fabulation.
Cristina Vega has been a research professor at the Department of Sociology and Gender Studies at the Latin American University of Social Studies (FLACSO), Ecuador, since 2011, and is coordinator of its PhD in Sociology (2020–2023). She is also part of the Ecuadorian feminist collective Flor de Guanto. Her research centres on Gender Studies, focusing on an analysis of work, reproduction and care. At the present time she is conducting a gender-based study of reactionary advances.
Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)