-
Wednesday, 18 November 2020
Feminisms and Intersectional Alliances Opposite Hate as Politics
5pm / online Platform
A conversation between Renata Souza and Esther Solano Gallego
Over the past decade, the political changes in Brazil have been at the forefront of global analyses as a sign of this new century’s global shift. This framework of mass inequality has seen women acting as life’s support pillars. This conversation between journalist and congresswoman, Renata Souza, and professor of International Relations, Esther Solano, sets out a framework of discussion to analyse strategies of resistance from Brazil’s working classes and, more specifically, black women for the right to life and democratic legitimacy, in addition to their role in upholding the community during the pandemic.
-
Thursday, 19 November 2020
Femonationalism in Europe
12pm / Nouvel Building, Study Centre and online Platform
Work session
Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around femonationalism.
7pm / Nouvel Building, Auditorium 400 and online Platform online
A conversation between Fatiha El Mouali and Sara R. Farris, accompanied by Brigitte Vasallo
Strategies of rising conservatism have found a point of contact among certain sectors of white and Western-centric feminism and are condensed in the notion of “femonationalism”. The term designates certain discourses that stereotype racialised women as victims without the capacity for agency, and with decisions made in their name and determined by men in their family sphere, along with the constraint of being foreign.
This session looks to analyse the convergence of discourses from the extreme right, those belonging to self-titled feminists and neoliberal public policies of “integration” inside the European framework. What material consequences hide pleas centred on remedying and emancipating Muslim women, putting them to work in a privatised sector that conceals and segregates domestic and care work?
-
Friday, 20 November 2020
Demonizing Feminism: An Instrumental Use of Women’s Rights
12pm / Nouvel Building, Study Centre and online Platform
Work session
Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around the demonisation of feminism.
19:00 h / Nouvel Building, Protocol Room and online Platform
A conversation between Nuria Alabao, Marisa Pérez Colina and Fernanda Rodríguez
Tras la heterogeneidad de las propuestas políticas del giro conservador subyace un sólido nexo común: el odio contra todo aquello que parezca provenir del feminismo, identificado como “ideología de género”. Desde ciertos espacios de poder se defiende In the wake of heterogeneous political proposals in the conservative shift lies a common thread: hate against all that which appears to stem from feminism, identified as a “gender ideology”. From certain spaces of power, a purported formal equality is upheld, while certain policies are propelled against reproductive rights and already consolidated sexual liberties, or migrant or racialised people are hounded and stigmatised. What relationship is there between the fight against so-called “gender ideology” and the racialisation of these right-wing movements’ sovereignist projects? How can we upend strategies that misrepresent the political discourse of feminisms with the pretext of defending legal equality or women’s rights? These are some of the questions with which to analyse the causes behind attacks on migrant, racialised and feminist groups by the new Right, and with the aim of revealing the power of alliances in anti-racist feminisms. ya consolidadas, o se persiguen y estigmatizan a las personas migrantes y racializadas. ¿Qué relación existe entre el combate contra la denominada “ideología de género” y la radicalización de los proyectos soberanistas de estas derechas? ¿Cómo revertir las estrategias que tergiversan el discurso político de los feminismos con la excusa de defender la igualdad jurídica o los derechos de las mujeres?, son algunas de las preguntas para analizar las causas de ataques a los grupos migrantes, racializados y feministas por parte de las nuevas derechas, con el objetivo de desvelar la potencia de las alianzas de los feminismos antirracistas.

Held on 18 nov 2020
In the current social climate, the existence of political and cultural forces which appear to be handed down from fascism and historical extreme right movements are today a tangible reality. These forces call into question the continued existence of consolidated emancipatory conquests after centuries of struggle.
The programme The New Reaction. Antidotes and Synergies sets out to explore and pinpoint the means that mobilise these forces, understanding the place from which they emanate, the designated enemies and why they are so, and the differences and similitudes they reveal in different geographies. Thus, knowing the characteristics of these new forms of fascism becomes necessary, for they can denote a long-lasting democratic recession in a context defined by expansion and the global surge of neoliberal politics.
Each of the sessions that make up this programme seeks to create spaces of thought rooted in new feminisms, struggles for recognition and the equality of post-colonial and racialised subjects or migratory social movements, as well as other aspects.
With the aim of hybridising forms and putting forward other modes of approaching the political and the collective, sound artist Mattin will perform Towards an Anti-Fascist Musical Score, a performance intervention which seeks to activate a collective reflection with the audience in order to work on the power of rituals and catharsis to generate, from the body, non-theological and anti-fascist social interactions.
[dropdown]
Nuria Alabao is a journalist and researcher who holds a PhD in Anthropology. She is part of Foundation of the Commons and coordinates the section on feminisms in the digital publication Ctxt. Currently, she is researching connections between feminism and post-fascism movements, collaborating with various media, and has participated in collective publications with articles such as “Why Neo-fascism is Anti-Feminist” in Neofascismo. La Bestia neoliberal (Siglo XXI, 2019) and “Gender and Fascism: The Renewal of the Extreme Right in Europe”, in Un feminismo del 99% (Lengua de Trapo, 2018), to mention but a few.
Fatiha El Mouali is an anti-racist activist who works to provide refuge for migrant people. With a degree in Economic Science, she is also a doctoral student at the Autonomous University of Barcelona. She is a spokesperson for Unity Against Fascism and Racism in Catalonia and is part of the Granollers Table of Equality and vice-president of the Mothers’ Association Against Racism. Furthermore, she is co-author of the volume Combatir la Islamofobia. Una guía antirracista (Combatting Islamophobia. An Anti-Racist Guide, Icaria, 2016).
Mattin is a sound artist. His work focuses on the conceptual investigation into noise and improvisation, exploring strands that include the role of listening in relation to the immeasurable accumulation of digital information and at a time of mounting polarisation and social fragmentation; or the potential non-verbal communication can activate between bodies participating in a reflexive encounter. Moreover, he has co-edited, with Anthony Iles, Ruido y capitalismo (Noise and Capitalism, 2011) and participated in documenta14 (2017) with the “durational” concert Disonancia social (Social Dissonance).
Marisa Pérez Colina is a political scientist and activist whose work is linked to projects and collective experiences of feminist research-action — Precarias a la Deriva — and to defending the right to mobility and the rights of migrant people — Asociación Sin Papeles de Madrid and Papeles por Derecho. She also participates in the movement for the right to housing and the city — Lavapiés ¿dónde Vas? and Asamblea de Bloques en Lucha — in addition to the municipal commitment La Bancada, previously Municipalia-Ganemos. She is also a coordinator in Foundation of the Commons.
Sara R. Farris is a lecturer of Sociology at Goldsmiths University (London). Her research centres on the theoretical constructions of racism and nationalism, the Orientalist/Westocentric representation of women in the Western context, and gender, race and social reproduction theories, primarily focused on female migrants from Eastern Europe.
Fernanda Rodríguez López is a philosopher and member of Foundation of the Commons. She has participated as a speaker in the training space Nociones Comunes on numerous occasions, and her work encompasses themes such as the history of sexuality and bourgeois culture, the formation of gender and the analysis of the hetero-patriarchal family.
Renata Silva de Souza is a journalist, writer and feminist who was born and grew up in Favela da Maré, in the Zona Norte neighbourhood of Río de Janeiro. She holds a PhD in Communication and Culture and has participated in social movements, in addition to being part of the Human Rights Commission of the Legislative Assembly of the State of Río de Janeiro. She was chief of staff for Marielle Franco, the councillor murdered in 2018. At the present time, she is a representative in the Legislative Assembly of Río de Janeiro for the Socialism and Liberty Party (PSOL).
Esther Solano Gallego holds a PhD in Sociology from the Complutense University of Madrid (UCM). She is a lecturer in International Relations at the Federal University of São Paulo and lectures on the UCM’s International Interuniversity MA in Contemporary Latin American Studies. She specialises in political sociology and has put together a number of books on the situation in Brazil, including ¿Hay salida? Ensayos sobre Brasil (Is There a Way Out? Essays on Brazil, 2017) and El odio como política (Hate as Politics, 2018).
Brigitte Vasallo is a writer, professor and anti-racist, feminist and LGBTI activist. Her work is defined by her critical stance on gender Islamophobia, the denouncement of purplewashing and homo- and femonationalism, in addition to her defence of polyamory in affective relationships.
[/dropdown]
The project Our Many Europes is organised by the L’internationale museum confederation and co-funded by the European Union’s Creative Europe programme. L'Internationale comprises seven major European art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Reina Sofía (Madrid, Spain); MACBA, Museu d'Art Contemporani de Barcelona (Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, Netherlands), and collaborates in the project with the HDK-Valand Academy (Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland). Together, these institutions will present a programme with over 40 public activities (lectures, exhibitions, workshops) until May 2022.
Inside the framework of
Force line
Action and Radical Imagination; Contemporary Disturbances
Organised by
Museo Reina Sofía, Fundación de los Comunes and L’Internationale


Encounters: free, with prior ticket collection from Monday 16 November. Doors open at 6:30pm. Activity streamed live.
Work sessions: free, until full capacity is reached, with prior registration by filling out the following form from 4 November (capacity — in-person: 12 people; online: 20 people). Aimed at people and collectives who either work or have a special interest in the spheres of feminism or anti-racism. Given the limited number of places, priority will be given to migrant and/or racialised people and collectives.
Language: Spanish, Italian and Portuguese, with simultaneous interpretation
Participants
Más actividades

CLINIC 2628. A Community of Writing and Research in the Arts
February – October 2026
Clinic 2628 is a project which supports and brings together writings which stem from the intention to offer a space and sustainable time for research work in art and culture. Framed within an academic context which is increasingly less receptive to the forms in which thinking happens and is expressed, the aim is to rescue the academic from its neoliberal trappings and thus recover the alliance between precision and intuition, work and desire. A further goal is to return writing to a commons which makes this possible through the monitoring of processes and the collectivisation of ideas, stances, references and strategies.
The endeavour, rooted in a collaboration between the Museo Reina Sofía’s Studies Directorship and the Artea research group, via the i+D Experimenta project, is shaped by three annual editions conceived as spaces of experimentation, discussion and a demonstration of writings critical of what is put forward by today’s academia.
What forces, forms and processes are at play when writing about art and aesthetics? In academia, in museums and in other cultural institutions, the practice of writing is traversed by productivist logics which jeopardise rhythms of research and experimentation. The imposition of both scientism inherent in the structure of “the paper” and the quantifying of results which demand a criterion of quality and visibility sterilise and smoothen, from the outset, the coarseness that is particular to writing understood from the concrete part of language: phonic, graphic, syntactic and grammatical resistance connecting the language user to the community the language unites and activates. They also sterilise the roughness enmeshed in the same desire to write, the intuitive, clear and confusing pathways that once again connect the writer to those reading and writing, participating in a common good that is at once discovered and produced.
The progressive commercialisation of knowledge propelled by cognitive capitalism moves further away from the research and production of knowledge in artworks and artistic languages and practices. The work of curators and archive, criticism, performances and essays formerly saw a horizon of formal and emotional possibilities, of imagination that was much broader when not developed in circumstances of competition, indexing and impact. Today, would it be possible to regain, critically not nostalgically, these ways; namely, recovering by forms, and by written forms, the proximity between art thinking and its objects? How to write in another way, to another rhythm, with no more demands than those with which an artwork moves towards different ways of seeing, reading and being in the world?

The (legal) person and the legal form. Chapter II
8, 12, 15 January, 2026 – 16:00 to 19:00
As part of the Studies Constellation, the Study Directoship’s annual fellowship, art historian and theorist Sven Lütticken leads the seminar The (Legal) Person and the Legal Form: Theoretical, Artistic, and Activist Commitments to foster dialogue and deepen the hypotheses and questions driving his research project.
This project, titled Unacting Personhood, Deforming Legal Abstraction, explores the dominance of real abstractions—such as exchange value and legal form—over our processes of subjectivation, and asks how artistic practices can open up alternative ways of representing or performing the subject and their legal condition in the contemporary world.
The seminar consists of eight sessions, divided into three chapters throughout the academic year. While conceived as non-public spaces for discussion and collective work, these sessions complement, nourish, and amplify the public program of the Studies Constellation.
In this second chapter of the seminar, the inquiry into the aesthetics and politics of legal form continues with three sessions that pick up the discussions held in Chapter I but propose new lines of flight. The first session focuses on international law via the writings of the British author China Miéville, which allows us to reconsider the notion of the legal form –following Evgeny Pashukanis— and, through it, a variety of (people’s) tribunals. While the crucial concept of the legal person –as the right-holder central to the form of law— was debated in Chapter I, the second session focuses on attempts to extend personhood not (just) to corporations, but rather to nonhuman animals or ecosystems. Finally, the third session poses the question: how can groups and networks use officially recognized organizational forms (such as the foundation or the cooperative) and/or use a collective persona (without necessarily a legal “infrastructure” to match) to act and represent themselves?

Oliver Laxe. HU/هُوَ. Dance as if no one were watching you
Tuesday, 16 December 2025 – 7pm
As a preamble to the opening of the exhibition HU/هُوَ. Dance as if no one were watching you, film-maker Oliver Laxe (Paris, 1982) engages in conversation with the show’s curators, Julia Morandeira and Chema González, touching on the working processes and visual references that articulate this site-specific project for the Museo Reina Sofía. The installation unveils a new programme in Space 1, devoted from this point on to projects by artists and film-makers who conduct investigations into the moving image, sound and other mediums in their exhibition forms.
Oliver Laxe’s film-making is situated in a resilient, cross-border territory, where the material and the political live side by side. In HU/هُوَ. Dance as if no one were watching you, this drift is sculpted into a search for the transcendency that arises between dancing bodies, sacred architectures and landscapes subjected to elemental and cosmological forces. As a result, this conversation seeks to explore the relationship the piece bears to the imagery of ancient monotheisms, the resonance of Persian Sufi literature and the role of abstraction as a resistance to literal meaning, as well as looking to analyse the possibilities of the image and the role of music — made here in collaboration with musician David Letellier, who also works under the pseudonym Kangding Ray — in this project.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.

Manuel Correa. The Shape of Now
13 DIC 2025
The Shape of Now is a documentary that explores the challenges and paradoxes of memory, reparation and post-conflict justice, extending a defiant and questioning gaze towards the six-decade armed conflict in which the Colombian State, guerrillas and paramilitary groups clashed to leave millions of victims in the country. The screening is conducted by the Aesthetics of Peace and Desertion Tactics study group and includes a presentation by and discussion with the film’s director, Manuel Correa.
The film surveys the consequences of the peace agreements signed in 2016 between the Colombian State and the FARC guerrilla organisation through the optics of different victims. It was recorded shortly after this signing, a time in which doubts lingered over the country’s future, with many groups speculating in the narration. Correa harnesses the power of images, visual and bodily memory, fiction and re-staging as tools for understanding the conflict, memory and healing, as well as for the achievement of a just peace that acknowledges and remembers all victims.
The activity is framed inside the research propelled by Aesthetics of Peace and Desertion Tactics, a study group developed by the Museo’s Study Directorship and Study Centre. This annual group seeks to rethink, from a theoretical-critical and historical-artistic perspective, the complex framework of concepts and exercises which operate under the notion of pacifism. A term that calls on not only myriad practices ranging from anti-militarism and anti-war movements to activism for non-violence, but also opens topical debates around violence, justice, reparation and desertion.
Framed in this context, the screening seeks to reflect on propositions of transitional and anti-punitive justice, and on an overlapping with artistic and audiovisual practices, particularly in conflicts that have engendered serious human rights violations. In such conflicts, the role played by audiovisual productions encompasses numerous challenges and ethical, aesthetic and political debates, among them those related to the limits of representation, the issue of revictimisation and the risks involved in the artistic commitment to justice. These themes will be addressed in a discussion held after the session.

Francisco López and Barbara Ellison
Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)