-
Wednesday, 18 November 2020
Feminisms and Intersectional Alliances Opposite Hate as Politics
5pm / online Platform
A conversation between Renata Souza and Esther Solano Gallego
Over the past decade, the political changes in Brazil have been at the forefront of global analyses as a sign of this new century’s global shift. This framework of mass inequality has seen women acting as life’s support pillars. This conversation between journalist and congresswoman, Renata Souza, and professor of International Relations, Esther Solano, sets out a framework of discussion to analyse strategies of resistance from Brazil’s working classes and, more specifically, black women for the right to life and democratic legitimacy, in addition to their role in upholding the community during the pandemic.
-
Thursday, 19 November 2020
Femonationalism in Europe
12pm / Nouvel Building, Study Centre and online Platform
Work session
Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around femonationalism.
7pm / Nouvel Building, Auditorium 400 and online Platform online
A conversation between Fatiha El Mouali and Sara R. Farris, accompanied by Brigitte Vasallo
Strategies of rising conservatism have found a point of contact among certain sectors of white and Western-centric feminism and are condensed in the notion of “femonationalism”. The term designates certain discourses that stereotype racialised women as victims without the capacity for agency, and with decisions made in their name and determined by men in their family sphere, along with the constraint of being foreign.
This session looks to analyse the convergence of discourses from the extreme right, those belonging to self-titled feminists and neoliberal public policies of “integration” inside the European framework. What material consequences hide pleas centred on remedying and emancipating Muslim women, putting them to work in a privatised sector that conceals and segregates domestic and care work?
-
Friday, 20 November 2020
Demonizing Feminism: An Instrumental Use of Women’s Rights
12pm / Nouvel Building, Study Centre and online Platform
Work session
Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around the demonisation of feminism.
19:00 h / Nouvel Building, Protocol Room and online Platform
A conversation between Nuria Alabao, Marisa Pérez Colina and Fernanda Rodríguez
Tras la heterogeneidad de las propuestas políticas del giro conservador subyace un sólido nexo común: el odio contra todo aquello que parezca provenir del feminismo, identificado como “ideología de género”. Desde ciertos espacios de poder se defiende In the wake of heterogeneous political proposals in the conservative shift lies a common thread: hate against all that which appears to stem from feminism, identified as a “gender ideology”. From certain spaces of power, a purported formal equality is upheld, while certain policies are propelled against reproductive rights and already consolidated sexual liberties, or migrant or racialised people are hounded and stigmatised. What relationship is there between the fight against so-called “gender ideology” and the racialisation of these right-wing movements’ sovereignist projects? How can we upend strategies that misrepresent the political discourse of feminisms with the pretext of defending legal equality or women’s rights? These are some of the questions with which to analyse the causes behind attacks on migrant, racialised and feminist groups by the new Right, and with the aim of revealing the power of alliances in anti-racist feminisms. ya consolidadas, o se persiguen y estigmatizan a las personas migrantes y racializadas. ¿Qué relación existe entre el combate contra la denominada “ideología de género” y la radicalización de los proyectos soberanistas de estas derechas? ¿Cómo revertir las estrategias que tergiversan el discurso político de los feminismos con la excusa de defender la igualdad jurídica o los derechos de las mujeres?, son algunas de las preguntas para analizar las causas de ataques a los grupos migrantes, racializados y feministas por parte de las nuevas derechas, con el objetivo de desvelar la potencia de las alianzas de los feminismos antirracistas.

Held on 18 Nov 2020
In the current social climate, the existence of political and cultural forces which appear to be handed down from fascism and historical extreme right movements are today a tangible reality. These forces call into question the continued existence of consolidated emancipatory conquests after centuries of struggle.
The programme The New Reaction. Antidotes and Synergies sets out to explore and pinpoint the means that mobilise these forces, understanding the place from which they emanate, the designated enemies and why they are so, and the differences and similitudes they reveal in different geographies. Thus, knowing the characteristics of these new forms of fascism becomes necessary, for they can denote a long-lasting democratic recession in a context defined by expansion and the global surge of neoliberal politics.
Each of the sessions that make up this programme seeks to create spaces of thought rooted in new feminisms, struggles for recognition and the equality of post-colonial and racialised subjects or migratory social movements, as well as other aspects.
With the aim of hybridising forms and putting forward other modes of approaching the political and the collective, sound artist Mattin will perform Towards an Anti-Fascist Musical Score, a performance intervention which seeks to activate a collective reflection with the audience in order to work on the power of rituals and catharsis to generate, from the body, non-theological and anti-fascist social interactions.
[dropdown]
Nuria Alabao is a journalist and researcher who holds a PhD in Anthropology. She is part of Foundation of the Commons and coordinates the section on feminisms in the digital publication Ctxt. Currently, she is researching connections between feminism and post-fascism movements, collaborating with various media, and has participated in collective publications with articles such as “Why Neo-fascism is Anti-Feminist” in Neofascismo. La Bestia neoliberal (Siglo XXI, 2019) and “Gender and Fascism: The Renewal of the Extreme Right in Europe”, in Un feminismo del 99% (Lengua de Trapo, 2018), to mention but a few.
Fatiha El Mouali is an anti-racist activist who works to provide refuge for migrant people. With a degree in Economic Science, she is also a doctoral student at the Autonomous University of Barcelona. She is a spokesperson for Unity Against Fascism and Racism in Catalonia and is part of the Granollers Table of Equality and vice-president of the Mothers’ Association Against Racism. Furthermore, she is co-author of the volume Combatir la Islamofobia. Una guía antirracista (Combatting Islamophobia. An Anti-Racist Guide, Icaria, 2016).
Mattin is a sound artist. His work focuses on the conceptual investigation into noise and improvisation, exploring strands that include the role of listening in relation to the immeasurable accumulation of digital information and at a time of mounting polarisation and social fragmentation; or the potential non-verbal communication can activate between bodies participating in a reflexive encounter. Moreover, he has co-edited, with Anthony Iles, Ruido y capitalismo (Noise and Capitalism, 2011) and participated in documenta14 (2017) with the “durational” concert Disonancia social (Social Dissonance).
Marisa Pérez Colina is a political scientist and activist whose work is linked to projects and collective experiences of feminist research-action — Precarias a la Deriva — and to defending the right to mobility and the rights of migrant people — Asociación Sin Papeles de Madrid and Papeles por Derecho. She also participates in the movement for the right to housing and the city — Lavapiés ¿dónde Vas? and Asamblea de Bloques en Lucha — in addition to the municipal commitment La Bancada, previously Municipalia-Ganemos. She is also a coordinator in Foundation of the Commons.
Sara R. Farris is a lecturer of Sociology at Goldsmiths University (London). Her research centres on the theoretical constructions of racism and nationalism, the Orientalist/Westocentric representation of women in the Western context, and gender, race and social reproduction theories, primarily focused on female migrants from Eastern Europe.
Fernanda Rodríguez López is a philosopher and member of Foundation of the Commons. She has participated as a speaker in the training space Nociones Comunes on numerous occasions, and her work encompasses themes such as the history of sexuality and bourgeois culture, the formation of gender and the analysis of the hetero-patriarchal family.
Renata Silva de Souza is a journalist, writer and feminist who was born and grew up in Favela da Maré, in the Zona Norte neighbourhood of Río de Janeiro. She holds a PhD in Communication and Culture and has participated in social movements, in addition to being part of the Human Rights Commission of the Legislative Assembly of the State of Río de Janeiro. She was chief of staff for Marielle Franco, the councillor murdered in 2018. At the present time, she is a representative in the Legislative Assembly of Río de Janeiro for the Socialism and Liberty Party (PSOL).
Esther Solano Gallego holds a PhD in Sociology from the Complutense University of Madrid (UCM). She is a lecturer in International Relations at the Federal University of São Paulo and lectures on the UCM’s International Interuniversity MA in Contemporary Latin American Studies. She specialises in political sociology and has put together a number of books on the situation in Brazil, including ¿Hay salida? Ensayos sobre Brasil (Is There a Way Out? Essays on Brazil, 2017) and El odio como política (Hate as Politics, 2018).
Brigitte Vasallo is a writer, professor and anti-racist, feminist and LGBTI activist. Her work is defined by her critical stance on gender Islamophobia, the denouncement of purplewashing and homo- and femonationalism, in addition to her defence of polyamory in affective relationships.
[/dropdown]
The project Our Many Europes is organised by the L’internationale museum confederation and co-funded by the European Union’s Creative Europe programme. L'Internationale comprises seven major European art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Reina Sofía (Madrid, Spain); MACBA, Museu d'Art Contemporani de Barcelona (Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, Netherlands), and collaborates in the project with the HDK-Valand Academy (Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland). Together, these institutions will present a programme with over 40 public activities (lectures, exhibitions, workshops) until May 2022.
Inside the framework of
Force line
Action and Radical Imagination; Contemporary Disturbances
Organised by
Museo Reina Sofía, Fundación de los Comunes and L’Internationale


Encounters: free, with prior ticket collection from Monday 16 November. Doors open at 6:30pm. Activity streamed live.
Work sessions: free, until full capacity is reached, with prior registration by filling out the following form from 4 November (capacity — in-person: 12 people; online: 20 people). Aimed at people and collectives who either work or have a special interest in the spheres of feminism or anti-racism. Given the limited number of places, priority will be given to migrant and/or racialised people and collectives.
Language: Spanish, Italian and Portuguese, with simultaneous interpretation
Participants
Más actividades

Dear Americas
Friday 29 May and 5 June, 2026
In these films, Marilú Mallet travels to Solentiname, in Nicaragua, and Andahuaylillas, in Peru, to paint a portrait of communities which resist the severity of forced industrialisation. In Solentiname, the focus is on the poet and priest Ernesto Cardenal’s founding of a Christian, poetic and revolutionary utopia, while in Andahuaylillas, a town close to Cuzco, Mallet explores the multiple layers of Andean culture.

A Poetics of the Subject
Thursday 28 May and 4 June, 2026
In the tension between documentary and fiction, between the rawness of a tragic political present and narrative escape, lies the truth of the exile’s condition. In Journal inachevé (Unfinished Diary, 1982) Marilú Mallet experiments with her own subjectivity, moving from affirmation to doubt. In Double Portrait (2000), María Luisa Señoret paints her daughter Marilú, who records the process. In this circular relationship, the film-maker constructs a poetics of the portrait as something perpetually unfinished, a process of exploration in which memory, identity and political history merge to become blurred.

Institutional Decentralisation
28 MAY 2026
This series is organised by equipoMotor, a group of teenagers, young people and older people who have participated in the Museo Reina Sofía’s previous community education projects, and is structured around four themed blocks that pivot on the monstrous.
This fourth and final session centres on films that take the museum away from its axis and make it gaze from the edges. Pieces that work with that which is normally left out: peripheral territories, unpolished aesthetics, clumsy gestures full of intent. Instead of possessing an institutional lustre, here they are rough, precarious and strange in appearance, legitimate forms of making and showing culture. The idea is to think about what happens when central authority is displaced, when the ugly and the uncomfortable are not hidden, when they are recognised as part of the commons. Film that does not seek to be to one’s liking, but to open space and allow other ways of seeing and inhabiting the museum to enter stage.

Ordinary, Common and Public. Common Fixes for Ordinary Communities
Tuesday, 26, and Wednesday, 27 May 2026 – Check programme
Ordinary, Common and Public. Common Fixes for Ordinary Communities is the title of the fourteenth encounter run by Sociología Ordinaria, a transdisciplinary research group that explores daily knowledge deemed ordinary, superficial or frivolous from a traditional academic and intellectual viewpoint.
This latest edition seeks to approach and map connections between concepts of the commons and the public realm — remembering that the ordinary is also the commons — and to ensure affects and moods of discontent are mobilised towards hope.
By way of its multiple declinations — community, community-based practices, the commons, the communal — the encounter seeks to reflect on different ways of creating, (re)configuring, maintaining, fixing, arranging, caring for and defending the public realm and the commons. Furthermore, it explores forms of invocation and experimentation as tools opposite the helplessness of an uncertain present, in addition to resistance against attempts of expropriation, distortion, privatisation and touristification.

Felix Gonzalez-Torres. Sweet Revenge
26 MAY 2026
Nancy Spector and Alejandro Cesarco, curators of the exhibition Felix Gonzalez-Torres. Sweet Revenge, will speak with Manuel Segade, director of the Museo Reina Sofía, in a session dedicated to exploring the interpretive frameworks of this first large-scalepresentation in Madrid of the work of Felix Gonzalez-Torres (1957–1996), whose practice continues to resonate in the present.
The conversation begins with the exhibition’s title itself, Sweet Revenge, understood as a paradoxical notion that articulates much of the artist’s thinking. From there, the tensions running through his work are explored: the coexistence of opposing registers, ambiguity as a method, and the simultaneously affective and political charge of his works.
The dialogue also touches on some of the themes that run through his body of work, such as thenotions of identity, citizenship, and authority, alongside experiences linked to the AIDS crisis, and emotions such as love, loss, grief, and optimism. Special attention is given to the way in which Gonzalez-Torres shifts languages associated with Arte Povera, conceptualism, and minimalism towards open, participatory, and deeply personal structures.
The session also includes a reflection on the research process that shaped the exhibition, providing context for the curatorial decisions and criteria that structure it. In this context, Gonzalez-Torres’s work emerges as a device that actively engages those who activate orinterpret it, distributing responsibility for the production of meaning—a process that is alwaysunstable and constantly under negotiation.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.