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                        Wednesday, 18 November 2020 Feminisms and Intersectional Alliances Opposite Hate as Politics5pm / online Platform A conversation between Renata Souza and Esther Solano Gallego 
 Over the past decade, the political changes in Brazil have been at the forefront of global analyses as a sign of this new century’s global shift. This framework of mass inequality has seen women acting as life’s support pillars. This conversation between journalist and congresswoman, Renata Souza, and professor of International Relations, Esther Solano, sets out a framework of discussion to analyse strategies of resistance from Brazil’s working classes and, more specifically, black women for the right to life and democratic legitimacy, in addition to their role in upholding the community during the pandemic.   
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                        Thursday, 19 November 2020 Femonationalism in Europe12pm / Nouvel Building, Study Centre and online Platform Work session 
 Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around femonationalism. 7pm / Nouvel Building, Auditorium 400 and online Platform onlineA conversation between Fatiha El Mouali and Sara R. Farris, accompanied by Brigitte Vasallo Strategies of rising conservatism have found a point of contact among certain sectors of white and Western-centric feminism and are condensed in the notion of “femonationalism”. The term designates certain discourses that stereotype racialised women as victims without the capacity for agency, and with decisions made in their name and determined by men in their family sphere, along with the constraint of being foreign. This session looks to analyse the convergence of discourses from the extreme right, those belonging to self-titled feminists and neoliberal public policies of “integration” inside the European framework. What material consequences hide pleas centred on remedying and emancipating Muslim women, putting them to work in a privatised sector that conceals and segregates domestic and care work?   
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                        Friday, 20 November 2020 Demonizing Feminism: An Instrumental Use of Women’s Rights12pm / Nouvel Building, Study Centre and online PlatformWork session 
 Length: 2 hoursConceived as preparatory work ahead of the afternoon’s public activity, this session collectively approaches a series of textual and audiovisual materials handed out to participants previously, with the aim of pooling experiences, reflections and questions around the demonisation of feminism. 19:00 h / Nouvel Building, Protocol Room and online PlatformA conversation between Nuria Alabao, Marisa Pérez Colina and Fernanda Rodríguez Tras la heterogeneidad de las propuestas políticas del giro conservador subyace un sólido nexo común: el odio contra todo aquello que parezca provenir del feminismo, identificado como “ideología de género”. Desde ciertos espacios de poder se defiende In the wake of heterogeneous political proposals in the conservative shift lies a common thread: hate against all that which appears to stem from feminism, identified as a “gender ideology”. From certain spaces of power, a purported formal equality is upheld, while certain policies are propelled against reproductive rights and already consolidated sexual liberties, or migrant or racialised people are hounded and stigmatised. What relationship is there between the fight against so-called “gender ideology” and the racialisation of these right-wing movements’ sovereignist projects? How can we upend strategies that misrepresent the political discourse of feminisms with the pretext of defending legal equality or women’s rights? These are some of the questions with which to analyse the causes behind attacks on migrant, racialised and feminist groups by the new Right, and with the aim of revealing the power of alliances in anti-racist feminisms. ya consolidadas, o se persiguen y estigmatizan a las personas migrantes y racializadas. ¿Qué relación existe entre el combate contra la denominada “ideología de género” y la radicalización de los proyectos soberanistas de estas derechas? ¿Cómo revertir las estrategias que tergiversan el discurso político de los feminismos con la excusa de defender la igualdad jurídica o los derechos de las mujeres?, son algunas de las preguntas para analizar las causas de ataques a los grupos migrantes, racializados y feministas por parte de las nuevas derechas, con el objetivo de desvelar la potencia de las alianzas de los feminismos antirracistas.   

Held on 18 nov 2020
In the current social climate, the existence of political and cultural forces which appear to be handed down from fascism and historical extreme right movements are today a tangible reality. These forces call into question the continued existence of consolidated emancipatory conquests after centuries of struggle.
The programme The New Reaction. Antidotes and Synergies sets out to explore and pinpoint the means that mobilise these forces, understanding the place from which they emanate, the designated enemies and why they are so, and the differences and similitudes they reveal in different geographies. Thus, knowing the characteristics of these new forms of fascism becomes necessary, for they can denote a long-lasting democratic recession in a context defined by expansion and the global surge of neoliberal politics.
Each of the sessions that make up this programme seeks to create spaces of thought rooted in new feminisms, struggles for recognition and the equality of post-colonial and racialised subjects or migratory social movements, as well as other aspects.
With the aim of hybridising forms and putting forward other modes of approaching the political and the collective, sound artist Mattin will perform Towards an Anti-Fascist Musical Score, a performance intervention which seeks to activate a collective reflection with the audience in order to work on the power of rituals and catharsis to generate, from the body, non-theological and anti-fascist social interactions.
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Nuria Alabao is a journalist and researcher who holds a PhD in Anthropology. She is part of Foundation of the Commons and coordinates the section on feminisms in the digital publication Ctxt. Currently, she is researching connections between feminism and post-fascism movements, collaborating with various media, and has participated in collective publications with articles such as “Why Neo-fascism is Anti-Feminist” in Neofascismo. La Bestia neoliberal (Siglo XXI, 2019) and “Gender and Fascism: The Renewal of the Extreme Right in Europe”, in Un feminismo del 99% (Lengua de Trapo, 2018), to mention but a few.
Fatiha El Mouali is an anti-racist activist who works to provide refuge for migrant people. With a degree in Economic Science, she is also a doctoral student at the Autonomous University of Barcelona. She is a spokesperson for Unity Against Fascism and Racism in Catalonia and is part of the Granollers Table of Equality and vice-president of the Mothers’ Association Against Racism. Furthermore, she is co-author of the volume Combatir la Islamofobia. Una guía antirracista (Combatting Islamophobia. An Anti-Racist Guide, Icaria, 2016).
Mattin is a sound artist. His work focuses on the conceptual investigation into noise and improvisation, exploring strands that include the role of listening in relation to the immeasurable accumulation of digital information and at a time of mounting polarisation and social fragmentation; or the potential non-verbal communication can activate between bodies participating in a reflexive encounter. Moreover, he has co-edited, with Anthony Iles, Ruido y capitalismo (Noise and Capitalism, 2011) and participated in documenta14 (2017) with the “durational” concert Disonancia social (Social Dissonance).
Marisa Pérez Colina is a political scientist and activist whose work is linked to projects and collective experiences of feminist research-action — Precarias a la Deriva — and to defending the right to mobility and the rights of migrant people — Asociación Sin Papeles de Madrid and Papeles por Derecho. She also participates in the movement for the right to housing and the city — Lavapiés ¿dónde Vas? and Asamblea de Bloques en Lucha — in addition to the municipal commitment La Bancada, previously Municipalia-Ganemos. She is also a coordinator in Foundation of the Commons.
Sara R. Farris is a lecturer of Sociology at Goldsmiths University (London). Her research centres on the theoretical constructions of racism and nationalism, the Orientalist/Westocentric representation of women in the Western context, and gender, race and social reproduction theories, primarily focused on female migrants from Eastern Europe.
Fernanda Rodríguez López is a philosopher and member of Foundation of the Commons. She has participated as a speaker in the training space Nociones Comunes on numerous occasions, and her work encompasses themes such as the history of sexuality and bourgeois culture, the formation of gender and the analysis of the hetero-patriarchal family.
Renata Silva de Souza is a journalist, writer and feminist who was born and grew up in Favela da Maré, in the Zona Norte neighbourhood of Río de Janeiro. She holds a PhD in Communication and Culture and has participated in social movements, in addition to being part of the Human Rights Commission of the Legislative Assembly of the State of Río de Janeiro. She was chief of staff for Marielle Franco, the councillor murdered in 2018. At the present time, she is a representative in the Legislative Assembly of Río de Janeiro for the Socialism and Liberty Party (PSOL).
Esther Solano Gallego holds a PhD in Sociology from the Complutense University of Madrid (UCM). She is a lecturer in International Relations at the Federal University of São Paulo and lectures on the UCM’s International Interuniversity MA in Contemporary Latin American Studies. She specialises in political sociology and has put together a number of books on the situation in Brazil, including ¿Hay salida? Ensayos sobre Brasil (Is There a Way Out? Essays on Brazil, 2017) and El odio como política (Hate as Politics, 2018).
Brigitte Vasallo is a writer, professor and anti-racist, feminist and LGBTI activist. Her work is defined by her critical stance on gender Islamophobia, the denouncement of purplewashing and homo- and femonationalism, in addition to her defence of polyamory in affective relationships.
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The project Our Many Europes is organised by the L’internationale museum confederation and co-funded by the European Union’s Creative Europe programme. L'Internationale comprises seven major European art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Reina Sofía (Madrid, Spain); MACBA, Museu d'Art Contemporani de Barcelona (Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, Netherlands), and collaborates in the project with the HDK-Valand Academy (Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland). Together, these institutions will present a programme with over 40 public activities (lectures, exhibitions, workshops) until May 2022.
Inside the framework of
Force line
Action and Radical Imagination; Contemporary Disturbances
Organised by
Museo Reina Sofía, Fundación de los Comunes and L’Internationale


Encounters: free, with prior ticket collection from Monday 16 November. Doors open at 6:30pm. Activity streamed live.
Work sessions: free, until full capacity is reached, with prior registration by filling out the following form from 4 November (capacity — in-person: 12 people; online: 20 people). Aimed at people and collectives who either work or have a special interest in the spheres of feminism or anti-racism. Given the limited number of places, priority will be given to migrant and/or racialised people and collectives.
Language: Spanish, Italian and Portuguese, with simultaneous interpretation
Participants
Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)