PROGRAMME 2026-2027
This coming year includes nine temporary exhibitions, eight devoted to women artists, featuring Eli Cortiñas, Miguel Ángel Rojas, Marta Minujiín, Fernanda Laguna, Anne Truitt, Monir Shahroudy Farmanfarmaian, Marlene Dumas and Pacita Abab.
The director of the Reina Sofía Museum, Manuel Segade, has presented the program for the coming year in the Museo, spanning the period from September 2026 to July 2027.
Central to the new programme is the importance of the body, visitors’ active participation and different exercises to expand the art history cannon, and nine temporary exhibitions, eight devoted to women artists. In the Collections area, there will be second editions of History Doesn’t Repeat Itself, but it Does Rhyme and Single Piece, in addition to a rehang of different rooms on Floor 2 of the Sabatini Building, bringing still-unknown female artists to the fore, to mark the hundredth anniversary of the Generation of ’27. Moreover, the avant-garde holdings from the Lafuente Archive will form an exhibition in the Sabatini Building’s Protocol Room and 150 works from the Reina Collections will travel to the Museum of Modern Art in Warsaw as part of the exhibition Pearls and Scars.
A further innovation this year is the continued incorporation of live arts into the Museo’s public programmes. María Gimeno’s performance Queridas Viejas (Old Mistresses) and the retrospective on the prominent works of La Ribot — in a continual eight-hour piece in the Palacio de Velázquez — will form part of a music programme which engages in dialogue with Collection. Contemporary Art: 1975–Present and opens with the figure of Spanish punk Ana Curra and proceeds with Plena Pausa, a solo project by J de Los Planetas which forms a soundtrack to unreleased short films by Iván Zulueta.
Documents

PRESS RELEASE (ENGLISH)

PRESS DOSSIER (ENGLISH)
High resolution images

Eli Cortiñas, The Most Given of Givens, 2016, three-channel video installation. © Eli Cortiñas, VEGAP, Madrid, 2026.

La Ribot, Oh Compositione, 1997. Photograph: Caroline Morel Fontaine

Manolo Millares, Personaje caído I (Fallen figure, 1970)

Miguel Ángel Rojas, DAMA CHIBCHA (CHIBCHA LADY), 1986, partially developed gelatin silver print, metal sheets and stitching, 35 x 38 cm. Courtesy of Galería La Cometa

Marlene Dumas, The Painter, 1994. Oil on canvas. The Museum of Modern Art, New York. Fractional and promised gift of Martin and Rebecca Eisenberg, 2005

Cecilia Bengolea, Shelly Belly Inna Real Life, 2020

Marta Minujín, La Destrucción (The Destruction), 1963. Getty Research Institute, Los Angeles (2014.R.20). Donation by the Roy Lichtenstein Foundation, in memory of Harry Shunk and Janos Kender. Photograph: Shunk-Kender © J. Paul Getty Trust

Pacita Abad, Subali, 1983. Pacita Art Abad Estate Singapore. Image courtesy of Pacita Art Abad Estate

Hannah Ryggen, Etiopia (Ethiopia), 1935
![Monir Shahroudy Farmanfarmaian, Group 9 (Convertible Series) [Grupo 9, serie Convertibles], 2010. Espejo y vidrio pintado por el reverso sobre yeso y madera. Dimensiones variables. Familia de Monir Shahroudy Farmanfarmaian](https://recursos.museoreinasofia.es/styles/large_landscape/public/Prensa/4.Monir%20Shahroudy.jpg.webp)
Monir Shahroudy Farmanfarmaian, Group 9 (Convertible Series), 2010. Mirror and reverse glass painting on plaster and wood. The Monir Shahroudy Farmanfarmaian family

Fernanda Laguna. Lesbiana (Lesbian), 2001–2003. Collage.
Artist’s collection