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Thursday, 23 June 2022 Nouvel Building, Protocol Room and online platform
Session 1
Tickets6pm
Feminisms in Plural
SeminarA dialogue on the definition of feminism and its contemporary ramifications with pre-eminent figures working on trans identity in Spain.
Participants: Marina Echebarría Sáenz, Rosa María García and Rita Segato
Moderated by: Elisa Fuenzalida -
Friday, 24 June 2022 Nouvel Building, Protocol Room and online platform
Session 2
Tickets11am
Action and Collection. For Theatre with a Decolonial Perspective
A Conversation Between Teresa Ralli and Rita SegatoThis encounter prompts a dialogue between this year’s Expanded Theatricalities and the Aníbal Quijano Chair programmes, welcoming a conversation between Teresa Ralli, the founder of Yuyachkani, and Argentinian anthropologist and feminist Rita Segato, director of the latter Chair mentioned.
Participants: Teresa Ralli and Rita Segato
Moderated by: Elisa Fuenzalida -
Saturday, 25 June 2022 Nouvel Building, Auditorium 200 and online platform
Session 3
Tickets6pm
In Search of a Female Episteme
A Lecture by Rita SegatoStarting from a short summary of the Chair’s subject matter in the 2021 edition — around a Left that is still aligned towards a right-wing epistome — this lecture explores the idea of “episteme” used by Aníbal Quijano and attempts to describe the patriarchal atmosphere we live in. As a result, the following question surfaces: What would a world not rooted in these same beliefs, principles, projects and ends look like?
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Wednesday, 22, Friday, 24 and Saturday, 25 June 2022 Nouvel Building, Auditoriums, Lobby
Representation and Crisis
Audiovisual material show
A selection of audiovisual material from different time periods and interventions in the career of Grupo Cultural Yuyachkani
The Aníbal Quijano Chair
Is Feminism with Patriarchal Episteme Possible?

Held on 22, 23, 24, 25 jun 2022
The Aníbal Quijano Chair is a space of thought that pays homage to the memory of the great Peruvian thinker, a critic of the coloniality of power, and aims to open a channel of collective reflection-action, incorporating it into the multiple viewpoints that today find colonial modernity stripped of its primeval promises.
This fourth edition, concerning the relationship between coloniality and gender, pivots on the following question: Is feminism with patriarchal episteme possible? This question draws inspiration from Aníbal Quijano’s celebrated utterance: “Is a Left with right-wing episteme possible?”, the theme running centrally through the 2021 edition. On this occasion, the reflection is aligned towards certain feminist approaches which manifest a posture of moral, inquisitorial, authoritarian, controlling, monopoly-based, expurgatory, purist and exclusivist superiority, characteristics of the patriarchal episteme we seek to leave behind. “Tomorrow’s woman should not be the man we are leaving behind” is the phrase Rita Segato perplexingly heard uttered by a National Police chief in El Salvador and which prompted her to reflect on these questions.
The programme starts with a seminar in which, with Segato and Elisa Fuenzalida — the director and coordinator of the Chair, respectively — local transfeminist activists participate. It continues with a conversation between Rita Segato and Teresa Ralli, founder and member of Grupo Cultural Yuyachkani, to set up a dialogue with the Expanded Theatricalities Chair, and ends with a public lecture by Segato.
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Marina Echebarría Sáenz is a professor of Mercantile Law at the University of Valladolid and a well-known LGTBIQ+ activist, specifically in the struggle for trans people’s rights. She is a professor and researcher at the University of Valladolid, where she also became vice-dean and director of the Mercantile Law Department. She is currently part of the Equality Union at the same university. Furthermore, she has been vice-president of Fundación Triángulo and participated in the process to draft Law 3/2007, of 15 March, regulating the registral rectification of the mention of people’s sex, and the drafting of different regional laws aimed at trans people. She currently chairs the Participation Council for Lesbian, Gay, Bisexual, Trans and Intersexual People (LGTBI), under Spain’s Ministry of Equality.
Elisa Fuenzalida (Lima, Peru) is a researcher, writer and activist with an MA in Advanced Studies in Social and Cultural Anthropology from the Complutense University of Madrid. Her practice sits at the crossroads between the field of gender, memory, migration, eco-territoriality and decolonial studies. She has directed research projects like El futuro era tu cuerpo, Ensamblajes del Cuidado and Afectos en re-existencia, and currently contributes to the magazine Arts of the Working Class and is a mediator on the Redes por el clima (Networks for Climate) citizen laboratory platform.
Rosa María García is an independent researcher and translator. She holds a degree in Philosophy and an MA in Applied Sociology from the University of Murcia and is currently studying her PhD in Philosophy and Gender at Universitat Jaume I. Moreover, she has translated the books Whipping Girl. El sexismo y la demonización de la feminidad desde el punto de vista de una mujer trans, by Julia Serano (Ménades, 2020), and Trans. Un alegato por un mundo más justo y más libre, by Shon Faye (Blackie Books, 2022). Notable among her latest contributions are “Migration, Gender and Sex Work: A Complex Perspective”, an article published in No. 38 of Asparkía. Investigació Feminista.
Teresa Ralli is a founder and member of Grupo Cultural Yuyachkani, where she has co-directed La Primera Cena y Cambio de Hora (The First Supper and Clock Change), and works as an administrator and has overall responsibility for its archive and documentation. As an actress-artist, she participates in the conception and mise en scène of Yuyachkani’s collective shows and pedagogical events. She was honoured with the 2011 Lima Warmi Award from Lima City Hall in recognition of her cultural and teaching work, and for her contribution to the country’s standing and development, and, with Miguel Rubio, received the Senior Fellows distinction from the Hemispheric Institute of Performance and Politics at New York University (NYU). She was the organiser of the Theatre-Women Encounters held in the Casa de Yuyachkani over a ten-year period. Moreover, she holds a baccalaureate in Communications and a degree in Performing Arts from the Pontificia Universidad Católica del Perú, where she has lectured since 1998, primarily exploring the body and the voice on her courses.
Rita Segato is a professor of Anthropology and Bioethics in the UNESCO Chair at the University of Brasilia. She was an expert witness on the trials of the Sepur Zarco case in Guatemala, where sexual violence was first tried and prosecuted, in the form of domestic and sexual slavery, as a war strategy used by the State. Her main fields of interest include new forms of violence against women and the contemporary consequences of the coloniality of power. Her most important works include: La Nación y sus Otros: raza, etnicidad y diversidad religiosa en tiempos de políticas de la identidad (Prometeo Libros, 2007) and La crítica de la colonialidad en ocho ensayos y una antropología por demanda (Prometeo Libros, 2015).
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Comisariado
Elisa Fuenzalida y Rita Segato
Organiza
Museo Reina Sofía
Programa
En el marco de
Certificado de asistencia
Se emitirá un certificado de asistencia a aquellas personas que lo soliciten, mediante correo a centrodeestudios@museoreinasofia.es, especificando en el asunto “Certificado” antes del 20 de junio
Participants


Más actividades

Oliver Laxe. HU/هُوَ. Dance as if no one were watching you
Tuesday, 16 December 2025 – 7pm
As a preamble to the opening of the exhibition HU/هُوَ. Dance as if no one were watching you, film-maker Oliver Laxe (Paris, 1982) engages in conversation with the show’s curators, Julia Morandeira and Chema González, touching on the working processes and visual references that articulate this site-specific project for the Museo Reina Sofía. The installation unveils a new programme in Space 1, devoted from this point on to projects by artists and film-makers who conduct investigations into the moving image, sound and other mediums in their exhibition forms.
Oliver Laxe’s film-making is situated in a resilient, cross-border territory, where the material and the political live side by side. In HU/هُوَ. Dance as if no one were watching you, this drift is sculpted into a search for the transcendency that arises between dancing bodies, sacred architectures and landscapes subjected to elemental and cosmological forces. As a result, this conversation seeks to explore the relationship the piece bears to the imagery of ancient monotheisms, the resonance of Persian Sufi literature and the role of abstraction as a resistance to literal meaning, as well as looking to analyse the possibilities of the image and the role of music — made here in collaboration with musician David Letellier, who also works under the pseudonym Kangding Ray — in this project.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.

Francisco López and Barbara Ellison
Thursday, 11 December - 8pm
The third session in the series brings together two international reference points in sound art in one evening — two independent performances which converse through their proximity here. Barbara Ellison opens proceedings with a piece centred on the perceptively ambiguous and the ghostly, where voices, sounds and materials become spectral manifestations.
This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
This double session sets forth an encounter between two artists who, from different perspectives, share the same search: to open ears to territories where sound becomes a poetic force and space of resistance.

Long Live L’Abo! Celluloid and Activism
4, 5, 6 DIC 2025
L’Abominable is a collective film laboratory founded in La Courneuve (Paris, France) in 1996. It came into being in response to the disappearing infrastructures in artisan film-making and to provide artists and film-makers with a self-managed space from which to produce, develop and screen films in analogue formats such as Super 8, 16mm and 35mm. Anchored in this premise, the community promotes aesthetic and political experimentation in analogue film opposite digital hegemony. Over the years, L’Abominable, better known as L’Abo, has accompanied different generations of film-makers, upholding an international movement of independent film practices.
This third segment is structured in three sessions: a lecture on L’Abo given by Pilar Monsell and Camilo Restrepo; a session of short films in 16mm produced in L’Abo; and the feature-length film Une isle, une nuit, made by the Les Pirates des Lentillères collective.

Estrella de Diego Lecture. Holding Your Brain While You Sleep
Wednesday, 3 December 2025 – 7pm
Framed inside the Museo Reina Sofía’s retrospective exhibition devoted to Maruja Mallo, this lecture delivered by Estrella de Diego draws attention to the impact of the artist’s return to Spain after her three-decade exile in Latin America.
Committed to values of progress and renewal in the Second Republic, Mallo was forced into exile to Argentina with the outbreak of the Civil War and would not go back to Spain to settle definitively until 1965 — a return that was, ultimately, a second exile.
Mallo saw out her prolific artistic trajectory with two impactful series: Moradores del vacío (Dwellers of the Void, 1968–1980) and Viajeros del éter (Ether Travelers, 1982), entering her most esoteric period in which she drew inspiration from her “levitational experiences” of crossing the Andes and sailing the Pacific. Her travels, both real and imaginary, became encounters with superhuman dimensions.
In parallel, her public persona gained traction as she became a popular figure and a key representative of the Generation of ‘27 — the other members of which also started returning to Spain.
This lecture is part of the Art and Exile series, which seeks to explore in greater depth one of the defining aspects of Maruja Mallo’s life and work: her experience of exile. An experience which for Mallo was twofold: the time she spent in the Americas and her complex return to Spain.

Juan Uslé. That Ship on the Mountain
Tuesday, 25 November 2025 – 7pm
Ángel Calvo Ulloa, curator of the exhibition Juan Uslé. That Ship on the Mountain, engages in conversation with artist Juan Uslé (Santander, 1954) in the Museo’s Auditorium 400 to explore in greater depth the exhibition discourse of this anthological show spanning four decades of Uslé’s artistic career.
The show casts light on the close relationship Uslé’s work bears to his life experiences, establishing connections between different stages and series which could ostensibly seem distant. Framed in this context, the conversation looks to explore the artist’s personal and professional journey: his memories, experiences of New York, his creative process, conception of painting, and ties with photography and film, and the cohesiveness and versatility that characterise his art. Key aspects for a more in-depth understanding of his artistic sphere.
The conversation, moreover, spotlights the preparatory research process that has given rise to this exhibition to grant a better understanding of the curatorial criteria and decisions that have guided its development.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.




![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)