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                        Thursday, 23 June 2022 Nouvel Building, Protocol Room and online platform Session 1Tickets6pm 
 Feminisms in Plural
 SeminarA dialogue on the definition of feminism and its contemporary ramifications with pre-eminent figures working on trans identity in Spain. Participants: Marina Echebarría Sáenz, Rosa María García and Rita Segato 
 Moderated by: Elisa Fuenzalida
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                        Friday, 24 June 2022 Nouvel Building, Protocol Room and online platform Session 2Tickets11am 
 Action and Collection. For Theatre with a Decolonial Perspective
 A Conversation Between Teresa Ralli and Rita SegatoThis encounter prompts a dialogue between this year’s Expanded Theatricalities and the Aníbal Quijano Chair programmes, welcoming a conversation between Teresa Ralli, the founder of Yuyachkani, and Argentinian anthropologist and feminist Rita Segato, director of the latter Chair mentioned. Participants: Teresa Ralli and Rita Segato 
 Moderated by: Elisa Fuenzalida
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                        Saturday, 25 June 2022 Nouvel Building, Auditorium 200 and online platform Session 3Tickets6pm 
 In Search of a Female Episteme
 A Lecture by Rita SegatoStarting from a short summary of the Chair’s subject matter in the 2021 edition — around a Left that is still aligned towards a right-wing epistome — this lecture explores the idea of “episteme” used by Aníbal Quijano and attempts to describe the patriarchal atmosphere we live in. As a result, the following question surfaces: What would a world not rooted in these same beliefs, principles, projects and ends look like? 
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                        Wednesday, 22, Friday, 24 and Saturday, 25 June 2022 Nouvel Building, Auditoriums, Lobby Representation and CrisisAudiovisual material show A selection of audiovisual material from different time periods and interventions in the career of Grupo Cultural Yuyachkani 
The Aníbal Quijano Chair
Is Feminism with Patriarchal Episteme Possible?

Held on 22, 23, 24, 25 jun 2022
The Aníbal Quijano Chair is a space of thought that pays homage to the memory of the great Peruvian thinker, a critic of the coloniality of power, and aims to open a channel of collective reflection-action, incorporating it into the multiple viewpoints that today find colonial modernity stripped of its primeval promises.
This fourth edition, concerning the relationship between coloniality and gender, pivots on the following question: Is feminism with patriarchal episteme possible? This question draws inspiration from Aníbal Quijano’s celebrated utterance: “Is a Left with right-wing episteme possible?”, the theme running centrally through the 2021 edition. On this occasion, the reflection is aligned towards certain feminist approaches which manifest a posture of moral, inquisitorial, authoritarian, controlling, monopoly-based, expurgatory, purist and exclusivist superiority, characteristics of the patriarchal episteme we seek to leave behind. “Tomorrow’s woman should not be the man we are leaving behind” is the phrase Rita Segato perplexingly heard uttered by a National Police chief in El Salvador and which prompted her to reflect on these questions.
The programme starts with a seminar in which, with Segato and Elisa Fuenzalida — the director and coordinator of the Chair, respectively — local transfeminist activists participate. It continues with a conversation between Rita Segato and Teresa Ralli, founder and member of Grupo Cultural Yuyachkani, to set up a dialogue with the Expanded Theatricalities Chair, and ends with a public lecture by Segato.
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Marina Echebarría Sáenz is a professor of Mercantile Law at the University of Valladolid and a well-known LGTBIQ+ activist, specifically in the struggle for trans people’s rights. She is a professor and researcher at the University of Valladolid, where she also became vice-dean and director of the Mercantile Law Department. She is currently part of the Equality Union at the same university. Furthermore, she has been vice-president of Fundación Triángulo and participated in the process to draft Law 3/2007, of 15 March, regulating the registral rectification of the mention of people’s sex, and the drafting of different regional laws aimed at trans people. She currently chairs the Participation Council for Lesbian, Gay, Bisexual, Trans and Intersexual People (LGTBI), under Spain’s Ministry of Equality.
Elisa Fuenzalida (Lima, Peru) is a researcher, writer and activist with an MA in Advanced Studies in Social and Cultural Anthropology from the Complutense University of Madrid. Her practice sits at the crossroads between the field of gender, memory, migration, eco-territoriality and decolonial studies. She has directed research projects like El futuro era tu cuerpo, Ensamblajes del Cuidado and Afectos en re-existencia, and currently contributes to the magazine Arts of the Working Class and is a mediator on the Redes por el clima (Networks for Climate) citizen laboratory platform.
Rosa María García is an independent researcher and translator. She holds a degree in Philosophy and an MA in Applied Sociology from the University of Murcia and is currently studying her PhD in Philosophy and Gender at Universitat Jaume I. Moreover, she has translated the books Whipping Girl. El sexismo y la demonización de la feminidad desde el punto de vista de una mujer trans, by Julia Serano (Ménades, 2020), and Trans. Un alegato por un mundo más justo y más libre, by Shon Faye (Blackie Books, 2022). Notable among her latest contributions are “Migration, Gender and Sex Work: A Complex Perspective”, an article published in No. 38 of Asparkía. Investigació Feminista.
Teresa Ralli is a founder and member of Grupo Cultural Yuyachkani, where she has co-directed La Primera Cena y Cambio de Hora (The First Supper and Clock Change), and works as an administrator and has overall responsibility for its archive and documentation. As an actress-artist, she participates in the conception and mise en scène of Yuyachkani’s collective shows and pedagogical events. She was honoured with the 2011 Lima Warmi Award from Lima City Hall in recognition of her cultural and teaching work, and for her contribution to the country’s standing and development, and, with Miguel Rubio, received the Senior Fellows distinction from the Hemispheric Institute of Performance and Politics at New York University (NYU). She was the organiser of the Theatre-Women Encounters held in the Casa de Yuyachkani over a ten-year period. Moreover, she holds a baccalaureate in Communications and a degree in Performing Arts from the Pontificia Universidad Católica del Perú, where she has lectured since 1998, primarily exploring the body and the voice on her courses.
Rita Segato is a professor of Anthropology and Bioethics in the UNESCO Chair at the University of Brasilia. She was an expert witness on the trials of the Sepur Zarco case in Guatemala, where sexual violence was first tried and prosecuted, in the form of domestic and sexual slavery, as a war strategy used by the State. Her main fields of interest include new forms of violence against women and the contemporary consequences of the coloniality of power. Her most important works include: La Nación y sus Otros: raza, etnicidad y diversidad religiosa en tiempos de políticas de la identidad (Prometeo Libros, 2007) and La crítica de la colonialidad en ocho ensayos y una antropología por demanda (Prometeo Libros, 2015).
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Comisariado
Elisa Fuenzalida y Rita Segato
Organiza
Museo Reina Sofía
Programa
En el marco de
Certificado de asistencia
Se emitirá un certificado de asistencia a aquellas personas que lo soliciten, mediante correo a centrodeestudios@museoreinasofia.es, especificando en el asunto “Certificado” antes del 20 de junio
Participants


Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 




![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)