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December 11, 2015 Nouvel Building, Protocol Room
Presentation of the archive participants
Moderator: Marisa Pérez Colina (Fundación de los Comunes)
Those interested in attending must register beforehand at: centrodeestudios@museoreinasofia.es
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December 11, 2015 Nouvel Building, Auditorium 200
Conferences
Nancy Kranich. Reclaiming the Commons: Countering Enclosure of our Archival Heritage [30 min]
Digital technologies offer unprecedented possibilities for human creativity, global communication, innovation, and access to information and knowledge. Yet these same technologies also provide new opportunities to control—or enclose— intellectual products, threatening to erode political discourse, scientific inquiry, free speech, and the creativity needed for healthy democratic discourse. To counter such enclosure, scholars, technologists, and research institutions are working together to develop information commons that promise new models for stimulating innovation, fostering creativity, and building a movement that embodies knowledge as a shared resource.
Librarians and archivists have spearheaded this movement to counter enclosure of information commons by not only opposing access controls but also developing and adopting new, exciting approaches to sharing information and advancing knowledge. They are developing new structures that promote more open access to information resources across collections, platforms and repositories. Through these efforts, they are harnessing the power and potential of technology to democratize access, thereby realizing both the metaphor and reality of information commons. To move forward, a multidisciplinary collaborative effort is needed to advance information commons that adopt open standards and collaborative governance structures in order to enable sustainable global resource sharing in the 21st century.
Ariella Azoulay. Procedurally Speaking: No Archives of the Common Without Trans-Border Restitution [30 min]
With the creation of state archives, we have been made foreign, often untrusted guests to the archives. Performing our right to these archives is one way to demonstrate that archives are not about the past but about the common. Under five centuries old imperial condition, this right can practically be performed mainly by citizens or residents of sovereign states. It can hardly be practiced by people living in formerly colonized countries in which, during centuries of imperial rule, cultural treasures were looted and expropriated, and much of this plunder was transferred and continued to be stored and displayed in archives and museums of the former imperial powers. Under the imperial condition, the dispossession of those people from their art objects and cultural infrastructures and from archival documents they have right to use, has been followed by system of borders and fences that deprive former colonized subjects from access to the sites where these treasures are stored. Under this condition, a claim to have archives of the commons, should be inseparable from the claim to restitute portions of these archives to the countries where the looting, plunder, and expropriation took place.
Break
Jorge Reina Schement. Meeting the Challenge of Meaningful Access: Connectivity, Capability, Content, and Context [30 min]
Digital technologies offer unprecedented opportunities to share information in new and expanded ways. But making information available in any given format will not, by itself, guarantee meaningful access, especially for those groups lacking or not familiar with the technologies of access necessary to retrieve the information. A community must marshal resources to make the most of the potential offered by access. For communities to exploit the benefits of access, they must mobilize connectivity, capability, content, and context—the 4C's of access.
By conceptualizing the Internet as a pluralistic domain that includes the broader context in which technical components are embedded, we explicitly connect social with technical to conceptualize the Internet as an interdependent, socio-technical network. In so doing, we emphasize the importance of context in determining community-level interventions, as well as recognize the inherent difficulty in developing “best practices” that can be applied validly across diverse settings. Thus, the goal of connectivity, which is at the heart of most policies aimed at increasing access and, represents but a small first step toward functional access and empowerment. Capability, content, and context must be woven into any strategy seeking to achieve a better informational future for all.
William Gambetta. Archives of movement: between cultural reflection and social unrest [30 min]
If memory is a way of building social domination in the field of the imaginary and the symbolic, then the archive of movements, which has played a vital role in history but has also been defeated as a political actor capable of organising the prevalent institutionalism in production and its conservation, must operate with diverse constructed logics. These are defined and implemented in the specific conditions in which this dispute is disentangled by a sense of past and present. In these times of marked social unrest, of vast technological innovations and intense mutations in social actors’ political subjectivity, the archive of movements becomes a greater problem in inventing the future in terms of collective action and the activation of social energy. Therefore, this memory of movements is paramount to debating the possible lines of action aimed at inventing other forms of institutional, social and political organisation and other models of co-existence and human relationality.
The task of archives of movements is to keep spaces for reflection and social constitution open - these have been historically opened in order to use the repository of experience in the debate on the possible directions of social transformation in the present. The activation of these repositories of experience has ties to cartography, commitment and the accessibility of the materials, narratives and micro-histories belonging to those involved in their existence. The fragmentary nature and dispersion of movements have not historically implied either a lack of coherence or intelligibility in contributions to social transformation; thus the archive of movements represents a basic mechanism of social constitution today.
Question and answer session
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December 12, 2015 Nouvel Building, Protocol Room
Workshop Sessions
Archive policies and forms of institution
10:00 - 12:00 a.m.
Moderator: Mela Dávila (Museo Reina Sofía)
The archives of the commons must be imagined beyond the principles of exclusive and identity heritage, simultaneously combining the reality of being founded in local and politically positioned experience and the chance to be appropriated, activated and distributed in different modes, without its value being spuriously perverted. Accordingly, it must redefine its institutional structure and conceptual architecture, adapting to this collective, conceivable, open and variable nature.
Archive economies
12:30 - 2:30 p.m.
Moderator: Mabel Tapia (Red Conceptualismos del Sur)
The State has traditionally been the guarantor of material continuity and the archive economy, with this presence one of its defining characteristics. The archives of the commons is based on the withdrawal of this guarantee, yet it also has to search for logics of continuity and dissemination in a context of institutional instability, economic insecurity and the discontinuity of the specific agents it is founded upon.
Techno-political mechanisms of the common archive
4:30 - 6:30 p.m.
Moderator: Roxu Álvarez (Fundación de los Comunes)
Technological forms of archive cannot be separated from their political dimension; the Internet has become an archive in one of the central battlefields in contemporary societies. The generation of technological devices enabling exposure, hybrid and changeable taxonomies, and their collective production, as well as universal access, is a condition of possibility for the archives of the commons.
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December 12, 2015 Nouvel Building, Auditorium 200
Round-table Discussion. The future of memory and the expropriation of the political sense of the present
Participants: Nancy Kranich, Ariella Azoulay, Jorge Reina Schement, William Gambetta and representants of the archives participants
Moderator: Carlos Prieto del Campo (Museo Reina Sofía)
Archives of the commons

Held on 11, 12 Dec 2015
In this seminar, Fundación de los Comunes, Red de Conceptualismos del Sur and Museo Reina Sofía put forward a reflection on issues of social, cultural and political memory through the work of archives that guard, transmit and produce public memory generated by the current forms of social action conservation, which also shuts out major parts of collective experience from dominant discourse. This line of research into the archive and memory of subordinate and dominant groups sets forth a powerful line of reflection on new political rights and the new characteristics of a genuinely democratic sphere that is currently traversed by a multifactorial sense of crisis with far-reaching effects on the types of collective behaviour in our societies.
Archives of the commons shines a spotlight on these debates and lines of work in an international seminar organised into tables for discussion and public presentations. It is structured around three core principles of reflection: the archive models and institutional forms that make it possible, laying out a broad cartography of repository initiatives created between the 1970s and the present day; the economies of archive and the methods and protocols that ensure its dissemination and sustainability; the possible techno-political tools for undertaking its organisation, conceived as instruments that guarantee exposure, dynamic taxonomies and universal access, an indispensable condition of common archives. Therefore, the seminar will address institutional, technological and economic models that promote the different archives brought together, transversally debating these divergent records of experience and thought via the synthesis of the local and international, the individual and the collective.
With support from the Foundation for Arts Initiatives (FfAI)
Organised by
Museo Reina Sofía, Fundación de los Comunes and Red Conceptualismos del Sur
With the support of

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Friday 29 May and 5 June, 2026
In these films, Marilú Mallet travels to Solentiname, in Nicaragua, and Andahuaylillas, in Peru, to paint a portrait of communities which resist the severity of forced industrialisation. In Solentiname, the focus is on the poet and priest Ernesto Cardenal’s founding of a Christian, poetic and revolutionary utopia, while in Andahuaylillas, a town close to Cuzco, Mallet explores the multiple layers of Andean culture.

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Thursday 28 May and 4 June, 2026
In the tension between documentary and fiction, between the rawness of a tragic political present and narrative escape, lies the truth of the exile’s condition. In Journal inachevé (Unfinished Diary, 1982) Marilú Mallet experiments with her own subjectivity, moving from affirmation to doubt. In Double Portrait (2000), María Luisa Señoret paints her daughter Marilú, who records the process. In this circular relationship, the film-maker constructs a poetics of the portrait as something perpetually unfinished, a process of exploration in which memory, identity and political history merge to become blurred.

Institutional Decentralisation
28 MAY 2026
This series is organised by equipoMotor, a group of teenagers, young people and older people who have participated in the Museo Reina Sofía’s previous community education projects, and is structured around four themed blocks that pivot on the monstrous.
This fourth and final session centres on films that take the museum away from its axis and make it gaze from the edges. Pieces that work with that which is normally left out: peripheral territories, unpolished aesthetics, clumsy gestures full of intent. Instead of possessing an institutional lustre, here they are rough, precarious and strange in appearance, legitimate forms of making and showing culture. The idea is to think about what happens when central authority is displaced, when the ugly and the uncomfortable are not hidden, when they are recognised as part of the commons. Film that does not seek to be to one’s liking, but to open space and allow other ways of seeing and inhabiting the museum to enter stage.

Ordinary, Common and Public. Common Fixes for Ordinary Communities
Tuesday, 26, and Wednesday, 27 May 2026 – Check programme
Ordinary, Common and Public. Common Fixes for Ordinary Communities is the title of the fourteenth encounter run by Sociología Ordinaria, a transdisciplinary research group that explores daily knowledge deemed ordinary, superficial or frivolous from a traditional academic and intellectual viewpoint.
This latest edition seeks to approach and map connections between concepts of the commons and the public realm — remembering that the ordinary is also the commons — and to ensure affects and moods of discontent are mobilised towards hope.
By way of its multiple declinations — community, community-based practices, the commons, the communal — the encounter seeks to reflect on different ways of creating, (re)configuring, maintaining, fixing, arranging, caring for and defending the public realm and the commons. Furthermore, it explores forms of invocation and experimentation as tools opposite the helplessness of an uncertain present, in addition to resistance against attempts of expropriation, distortion, privatisation and touristification.

Felix Gonzalez-Torres. Sweet Revenge
26 MAY 2026
Nancy Spector and Alejandro Cesarco, curators of the exhibition Felix Gonzalez-Torres. Sweet Revenge, will speak with Manuel Segade, director of the Museo Reina Sofía, in a session dedicated to exploring the interpretive frameworks of this first large-scalepresentation in Madrid of the work of Felix Gonzalez-Torres (1957–1996), whose practice continues to resonate in the present.
The conversation begins with the exhibition’s title itself, Sweet Revenge, understood as a paradoxical notion that articulates much of the artist’s thinking. From there, the tensions running through his work are explored: the coexistence of opposing registers, ambiguity as a method, and the simultaneously affective and political charge of his works.
The dialogue also touches on some of the themes that run through his body of work, such as thenotions of identity, citizenship, and authority, alongside experiences linked to the AIDS crisis, and emotions such as love, loss, grief, and optimism. Special attention is given to the way in which Gonzalez-Torres shifts languages associated with Arte Povera, conceptualism, and minimalism towards open, participatory, and deeply personal structures.
The session also includes a reflection on the research process that shaped the exhibition, providing context for the curatorial decisions and criteria that structure it. In this context, Gonzalez-Torres’s work emerges as a device that actively engages those who activate orinterpret it, distributing responsibility for the production of meaning—a process that is alwaysunstable and constantly under negotiation.
These inaugural conversations, part of the main working strands of the Museo’s Public Programmes Area, aim to explore in greater depth the exhibition narratives of the shows organised by the Museo from the perspective of artists, curators and specialists.




