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                        Thursday, 29 June 2023 Documents 26. Queer Before QueerDocumentary Archaeologies in Archivo Arkhé TicketsThis latest edition of Documents includes a conversation on the experience of Archivo Arkhé in recovering the historical memory of LGBT prior to 1969 and a visit to its new premises in Madrid. Founded in 2016 in Bogotá by Halim Badawi and Pedro Felipe Inestrosa, the space compiles publications and documents related chiefly to Latin American art and queer subject matter. Thus, Archivo Arkhé looks to establish itself as a documentation centre which is accessible to researchers interested in one or more of its strands, as well as granting visibility to its holdings via temporary exhibitions.   
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                        Friday, 30 June 2023 Nouvel Building, Protocol Room I Declare Myself a Transvestite on Four StagesMultimedia Performance by Frau Diamanda In this multimedia stage piece, straddling monologue, confession and the activation of body and music, artist Frau Diamanda looks to explore the mutation of transvestite identity, punctuated by questions of class and race and affected by (neo)colonisation and hyperbolic exaltation. The staging serves to execute multimedia, spoken word and live music to approach the concept of transvestiteness in a way that is immersive and expansive, moving the spectator closer to that which is considered strange or far from their day-to-day.   
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                        Friday, 7 July 2023 Nouvel Building, Protocol Room Reasons and Hate. Phobic Logics in and towards LGBTIAQ+ CollectivesRound-table Discussion Hate and fear run through our bodies, minds, actions and discourses in different ways and from different angles as a symptom and consequence of violence which is inherited and reactivated in the present. Today, we are witness to spiralling phobia which tends to flood social space, driving out difference and stopping other types of affects from germinating. This round-table discussion features the participation of Ballet Djédje, Demetrio Gómez, Elena Prous, Tatiana Romero Reina and Iki Yos Piña, the voices of different agents hit hard by these logics of hate and fear and who refuse to assume the role of victim that pushes them aside and threatens to absorb the energy and capacity to evolve and build other ways of relating.   
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                        28 October – 16 December 2023 Nouvel Building, Workshops, Protocol Room, and Floor 5, Study Centre Bodies that Are Not One. Fat Practices on the BorderStudy Group RegistrationThe eight sessions in this study group coordinated by Lucrecia Masón and Tatiana Romero seek a place of knowledge in the body to, from the border — as materiality and not metaphor — set in motion a series of provocations where “fat practices” (artistic, theoretical, political) look to interrupt that which is imposed upon us as universal.   
Phobia: Politics of Hate and Fear in and towards LGBTIAQ+ Collectives
LGBTIAQ+ Programme 2023

Held on 29 jun 2023
This fresh edition of the LGBTIAQ+ programme looks to explore the possibility of imaginatively and politically turning around the logics of hate and fear that run through us, socially raising questions around who personifies a non-normative sex-gender or body position. Thus, the programme endeavours to steer clear at once of victimisation which non-critically takes on a “phobic” logic determining it and any attempt at naïve “solutionism” ignoring the deep-seated roots of violence.
The activities here examine different cases of phobic violence, primarily the struggles that are structured despite and opposite them. They are carried out from contemporary debate, assembling agents which lead these debates in the present: from archive, ranging across and reactivating traces and documents with a decades-long scream for freedom in contexts of repression and extreme persecution; from the performance of the body, a living archive of these forms of violence and resistance; and from the collective exploration of new artistic and political imaginaries by convening a study group.
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The suffix -phobia pervades many of the terms that designate modes of social discrimination in non-normative sex-gender bodies and identities: lesbophobia, transphobia, homophobia, sissyphobia, fatphobia, and so on, terms that also align with others, such as xenophobia or aporophobia, and share the same semantic structure.
Although the literal meaning of phobia is “fear”, its meaning has shifted to become associated with a compulsive and irrational aversion to the “other”, whereby we perceive a threat to our integrity as individuals and as a community. Opposite that which we have a phobia towards we simultaneously flee and respond, deploying mechanisms of expulsion and destruction.
It has been forever present in the beginnings of every community, yet a culture of phobia is gaining ground in the organisation of social space for reasons stemming from the biopolitical and necropolitical matrix of contemporary populations.
Phobia feeds into discourse, shapes imaginaries and governs attitudes and behaviours which spread like wildfire through the media and on social media. Members of LGBTIAQ+ collectives are not averse to such phobias and often reproduce them with such hostility that it exposes an inner fear and hatred towards themselves.
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Curator
Jesús Carrillo
Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)