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Wednesday, 16 February 2022 Online platform
Session 1
Online platform7pm The Syndicalist Feminism to Come. Experiences of Struggle and Community Self-protection in the Capital-Life Conflict
Round-table discussionThis opening session seeks to present different experiences of struggle, popular education and community self-protection that occur in territories where the State’s safeguards of rights are not guaranteed and where the extractive dynamics of capital intensify through plundering, exploiting resources, criminalisation and indebtedness.
Coordination: Pastora Filigrana (Abogadas Sociedad Cooperativa Andaluza)
Participants: Cristina Burneo (Corredores migratorios, Quito, Ecuador), Juana Cuenca and Heidy Mieles (Mujeres de Frente, Quito, Ecuador), Emmanuelle Hellio (Colectivo de Defensa de lxs Trabajadorxs Agrícolas - CODETRAS, Marseilles, France) and Mónica Lencina (Asociación de Mujeres Meretrices de Argentina, AMMAR). -
Thursday, 17 February 2022 Nouvel Building, Protocol Room and online platform
Session 2
Tickets7pm If Women Stop, the World Stops. A Debate on Experiences of the Feminist Strike
AssemblyWomen’s strikes in 2017, 2018 and 2019 resulted in the greatest feminist revolt in recent history, putting forward how conversations around work mean referencing both paid employment and care work, thereby broadening the concept of striking. The processes generated in organising these protests serve to highlight the situation for many women who, due to their material and precarious labour conditions, could not support them, creating highly diverse ways of participating and becoming part of the so-called “global scream”.
Here, these experiences open pathways to reflect on forms of participation and opposition from the situation of women workers, paid or unpaid. The session seeks to create a space to share and think about what feminist strikes meant and how they can keep on being a key tool to build a syndicalist feminism.
Coordination: Rafaela Pimentel (Territorio Doméstico) and Julia Tabernero (La Laboratoria. Espacios de Investigación Feminista)
Participants: Mar Coloma, Eugenia Monroy, Ana Requena Aguilar and Territorio Doméstico -
Friday, 18 February 2022 Nouvel Building, Auditorium 200 and online platform
Session 3
Tickets5pm The Fight for a Decent Life Is Everywhere. Community Organisation and Feminist Syndicalism
Round-table discussionWe come across direct action and mutual support networks — the touchstones of syndicalism — in many community struggles that build collective structures to organise support of life in other forms, be it through building affective and material networks — the fight for access to basic resources such as electricity and housing — or productive projects that make us live with lower salary dependence. Because, opposite the precariousness and isolation that capitalism propels us towards, blueprints of collective organisation are all around. “To organise is to start to prevail” and to start to live differently.
Coordination: Beatriz García Dorado (La Laboratoria. Espacios de Investigación Feminista)
Participants: Antonia Ávalos (Mujeres Supervivientes de Violencias de Género, Seville), Houda Akrikrez (Tabadol de la Cañada Real cultural association, Madrid), Yelena Cvejic and Marcela Puig (Nodo de producción de Carabanchel, Madrid), and Alba Gràcia (Assemblea d'Afectades pel Masclisme i el Patriarcat – AAMAS and Red de estructuras comunitarias y colectivas, Manresa).7pm Precarious Lives. The Revolving Doors of Impoverished Workers
Round-table discussionThe most feminised jobs are often the most precarious. Jobs that fail to provide financial stability and subject women’s lives to temporariness imposed by business logic. Therefore, women must frequently rotate between one area of activity and another: seasonal farm workers, sex workers, and domestic and care workers face similar precarious conditions which often overlap with their status as migrant women. Yet from these experiences valuable strategies of resistance also emerge.
Coordination: Nazaret Castro (La Laboratoria. Espacio de Investigación Feminista)
Participants: Najat Bassit (Jornaleras de Huelva en Lucha), Olaia Bilbao González (Trabajadoras de limpieza en lucha, sindicato Lab, Bilbao), Ninfa (Asociación Feminista de Trabajadoras del Sexo - AFEMTRAS, Barcelona, and Organización de Trabajadoras Sexuales - OTRAS), Ana Ruiz Tejada (food sector worker, Almería) and Elena Vidal Martín (Organización Sindical de Acción Directa - OSAD).

Held on 16 Feb 2022
Coco Guzmán, Syndicalist Feminisms, 2022. Digital drawing
At the end of 2020, La Laboratoria. Espacios de Investigación Feminista and Museo en Red organised the encounter The Syndicalist Feminism to Come. We Are All Workers in the Museo Reina Sofía. Its aim was to reflect on the notion of syndicalist feminism and thus vindicate the dynamism of new emerging struggles that pick up tools from the labour movement (strikes and strike funds), moving out in at least two directions. On one side, these new forms of syndicalism formulate and combat the way in which axes from a system of domination — patriarchy, capitalism and colonialism — are interwoven; and, on the other, they hold protests that transcend a strictly labour-based field, highlighting even more oppressive ways of extracting value and extending beyond the exploitation of work as debt, sexual violence, immigration laws or the dismantling of public services. These new struggles, with the prominence of women and gender-dissident people, place the defence of life and joy at the centre amidst an advancing context of the devastation of bodies and territories.
The first encounter saw a wide array of Spanish and Moroccan collectives participate and share their experiences of collective organisation in highly precarious living conditions. This second set of workshops seeks to weave alliances between these and other lived experiences, not only casting light on the difficulties faced and calling for change from institutions, but also backing rebellion and thinking jointly about strategies and forms of action which are up to the task of current challenges in a present laced with uncertainty but also full of hope.
These sessions set out from the idea that a feminism with the will for transformation must prioritise the most oppressed and violated needs, giving precedence to those who sustain the reproduction of life with their work. A feminism that is truly transformative must place the material conditions of existence at the centre and be able to build syndicalism based on stable networks of mutual support, politicising individual problems and allowing struggles to connect, and at the same time intersecting racial, gender and class oppression. Consequently, this encounter recovers the slogan of Constanza Cisneros, a participant in the first sessions: “To organise is to start to prevail”.
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Houda Akrikrez is a member of the cultural association Tabadol de la Cañada Real (Madrid), which has seen women spearhead a major mobilisation as a result of the electricity supply being cut off since 2020 and which has also led to stereotypes and stigma on the city’s most impoverished area being tackled and broken down.
Antonia Ávalos is a member of the Mujeres Supervivientes de Violencias de Género (Survivors of Gender Violence) project developed in Seville, which welcomes and supports women who have experienced this form of violence but from a devictimising perspective and with integral support and in accordance with their needs.
Olaia Bilbao González is a trade union representative for the Struggles of Female Cleaning Workers from the Lab trade union in Bilbao.
Cristina Burneo Salazar belongs to the women’s movement of Ecuador and the collective Corredores migratorios. She is a writer, translator, teacher and advocate at the Popular School for human mobility rights in Ecuador.
Yelena Cvejic and Marcela Puig are part of the Nodo de producción de Carabanchel (Production Hub of Carabanchel, Madrid), a project which assembles different production lines and means of collective production (carpentry, cooking, beer, dressmaking, graphic art, audiovisuals…) open to the Carabanchel neighbourhood.
Juana Cuenca and Heidy Mieles are part of Mujeres de Frente (Women Head-on), a community of cooperation against punishment and for care in Quito, Ecuador, and made up of female prisoners, former prisoners, prisoners’ families, independent street traders, urban waste recyclers, salaried female workers paid by the job, students, teachers, children and teenagers.
Mar Coloma is a nurse at Hospital Ramón y Cajal.
Pastora Filigrana works in Abogadas Sociedad Cooperativa Andaluza (The Andalusian Cooperative of Women Lawyers) and is a human rights activist. She is the author of El pueblo gitano contra el sistema-mundo (Akal, 2021).
Beatriz García Dorado and Julia Tabernero are part of La Laboratoria. Espacios de Investigación Feminista (La Laboratoria. Spaces of Feminist Research).
Alba Gràcia participates in the Assemblea d'Afectades pel Masclisme i el Patriarcat (AAMAS) and the Red de estructuras comunitarias y colectivas de Manresa (the Manresa Network of Community and Collective Structures, Catalonia), a community framework based on mutual support and mass empowerment.
Emmanuelle Hellio is a researcher at the Centre National de la Recherche Scientifique and a member of the Collective in Defence of Farm Workers (CODETRAS) from Marseille.
Mónica Lencina is a streetwalker, feminist and activist for sex workers’ rights from Argentina. She is also general secretary of the Association of Female Prostitutes from Argentina (AMMAR), from the San Juan province.
Eugenia Monroy is a secondary school teacher in a state school and a feminist activist specialised in affective-sexual diversity and gender.
Ninfa is a streetwalker in the Villaverde industrial estate in Madrid. She is part of the Feminist Association of Sex Workers (AFEMTRAS) and secretary of Identities for the Sex Workers Organisation labour union (OTRAS).
Rafaela Pimentel is an activist in the sphere of feminism and domestic work who received the Avanzadoras Award in 2018. Her work with feminist movements and women’s movements began in her country of origin, the Dominican Republic, and she has continued to be involved in activism since arriving in Spain in 1992. Today, she is part of Territorio Doméstico, a collective in which domestic workers organise and assemble to assert their rights. She is also an activist in the 8M Feminist Coordinator and promotes the creation of the Labour Union of Female Domestic and Care Workers (SINTRAHOCU), the first union of its kind on a state level and registered in October 2020.
Ana Pinto is a day labourer and co-founder of Jornaleras de Huelva en Lucha (an Association for the Struggles of Female Day Labourers in Huelva), where she articulates anti-racist, feminist and ecological syndicalism.
Ana Requena Aguilar is a journalist, head editor of Gender in elDiario.es and creator of the blog Micromachismos, for which she has received a number of awards.
Ana Ruiz Tejada is a food handler in Almería, where she heads a process of syndicalist organisation in a feminised and invisible sector.
Elena Vidal Martín has been a home help worker since 2004. She is the co-founder and general vice-secretary of the Syndicalist Organisation of Direct Action (OSAD) labour union.
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Organised by
Museo Reina Sofía and La Laboratoria. Espacios de Investigación Feminista
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CLINIC 2628. A Community of Writing and Research in the Arts
February – October 2026
Clinic 2628 is a project which supports and brings together writings which stem from the intention to offer a space and sustainable time for research work in art and culture. Framed within an academic context which is increasingly less receptive to the forms in which thinking happens and is expressed, the aim is to rescue the academic from its neoliberal trappings and thus recover the alliance between precision and intuition, work and desire. A further goal is to return writing to a commons which makes this possible through the monitoring of processes and the collectivisation of ideas, stances, references and strategies.
The endeavour, rooted in a collaboration between the Museo Reina Sofía’s Studies Directorship and the Artea research group, via the i+D Experimenta project, is shaped by three annual editions conceived as spaces of experimentation, discussion and a demonstration of writings critical of what is put forward by today’s academia.
What forces, forms and processes are at play when writing about art and aesthetics? In academia, in museums and in other cultural institutions, the practice of writing is traversed by productivist logics which jeopardise rhythms of research and experimentation. The imposition of both scientism inherent in the structure of “the paper” and the quantifying of results which demand a criterion of quality and visibility sterilise and smoothen, from the outset, the coarseness that is particular to writing understood from the concrete part of language: phonic, graphic, syntactic and grammatical resistance connecting the language user to the community the language unites and activates. They also sterilise the roughness enmeshed in the same desire to write, the intuitive, clear and confusing pathways that once again connect the writer to those reading and writing, participating in a common good that is at once discovered and produced.
The progressive commercialisation of knowledge propelled by cognitive capitalism moves further away from the research and production of knowledge in artworks and artistic languages and practices. The work of curators and archive, criticism, performances and essays formerly saw a horizon of formal and emotional possibilities, of imagination that was much broader when not developed in circumstances of competition, indexing and impact. Today, would it be possible to regain, critically not nostalgically, these ways; namely, recovering by forms, and by written forms, the proximity between art thinking and its objects? How to write in another way, to another rhythm, with no more demands than those with which an artwork moves towards different ways of seeing, reading and being in the world?

The (legal) person and the legal form. Chapter II
8, 12, 15 January, 2026 – 16:00 to 19:00
As part of the Studies Constellation, the Study Directoship’s annual fellowship, art historian and theorist Sven Lütticken leads the seminar The (Legal) Person and the Legal Form: Theoretical, Artistic, and Activist Commitments to foster dialogue and deepen the hypotheses and questions driving his research project.
This project, titled Unacting Personhood, Deforming Legal Abstraction, explores the dominance of real abstractions—such as exchange value and legal form—over our processes of subjectivation, and asks how artistic practices can open up alternative ways of representing or performing the subject and their legal condition in the contemporary world.
The seminar consists of eight sessions, divided into three chapters throughout the academic year. While conceived as non-public spaces for discussion and collective work, these sessions complement, nourish, and amplify the public program of the Studies Constellation.
In this second chapter of the seminar, the inquiry into the aesthetics and politics of legal form continues with three sessions that pick up the discussions held in Chapter I but propose new lines of flight. The first session focuses on international law via the writings of the British author China Miéville, which allows us to reconsider the notion of the legal form –following Evgeny Pashukanis— and, through it, a variety of (people’s) tribunals. While the crucial concept of the legal person –as the right-holder central to the form of law— was debated in Chapter I, the second session focuses on attempts to extend personhood not (just) to corporations, but rather to nonhuman animals or ecosystems. Finally, the third session poses the question: how can groups and networks use officially recognized organizational forms (such as the foundation or the cooperative) and/or use a collective persona (without necessarily a legal “infrastructure” to match) to act and represent themselves?

Oliver Laxe. HU/هُوَ. Dance as if no one were watching you
Tuesday, 16 December 2025 – 7pm
As a preamble to the opening of the exhibition HU/هُوَ. Dance as if no one were watching you, film-maker Oliver Laxe (Paris, 1982) engages in conversation with the show’s curators, Julia Morandeira and Chema González, touching on the working processes and visual references that articulate this site-specific project for the Museo Reina Sofía. The installation unveils a new programme in Space 1, devoted from this point on to projects by artists and film-makers who conduct investigations into the moving image, sound and other mediums in their exhibition forms.
Oliver Laxe’s film-making is situated in a resilient, cross-border territory, where the material and the political live side by side. In HU/هُوَ. Dance as if no one were watching you, this drift is sculpted into a search for the transcendency that arises between dancing bodies, sacred architectures and landscapes subjected to elemental and cosmological forces. As a result, this conversation seeks to explore the relationship the piece bears to the imagery of ancient monotheisms, the resonance of Persian Sufi literature and the role of abstraction as a resistance to literal meaning, as well as looking to analyse the possibilities of the image and the role of music — made here in collaboration with musician David Letellier, who also works under the pseudonym Kangding Ray — in this project.
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The film surveys the consequences of the peace agreements signed in 2016 between the Colombian State and the FARC guerrilla organisation through the optics of different victims. It was recorded shortly after this signing, a time in which doubts lingered over the country’s future, with many groups speculating in the narration. Correa harnesses the power of images, visual and bodily memory, fiction and re-staging as tools for understanding the conflict, memory and healing, as well as for the achievement of a just peace that acknowledges and remembers all victims.
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This is followed by Francisco López, an internationally renowned Spanish sound artist, who presents one of his radical immersions in deep listening, with his work an invitation to submerge oneself in sound matter as a transformative experience.
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![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)