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                        Friday, 26 April 2024 Nouvel Building, Auditorium 400 Session 16pm Pamela Palenciano. Arrancamiento (Wrenching). 
 — Stage piece by Pamela Palenciano with dramaturgy by Iván Larreynaga and directed by Laura Pacas7:30pm The Role of the Collective Word in the Fight Against Gender-based Violence 
 — Conversation between Laura Pacas and Pamela Palenciano (Arrancamiento) and Débora Ávila, Justa Teruel and the protective mothers who have contributed to the book En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras (In the Spider’s Web. Violence Against Children and the Struggle of Protective Mothers)
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                        Saturday, 27 April 2024 Nouvel Building, Auditorium 200 Session 210:30am Sexual Violence in Childhood. Vulnerability, Trauma, Survival 
 — Conversation between Yolanda Mozota, Marisa Kohan and other voices. Supported by: Débora Ávila12:30pm The (Non-)Protection of Children 
 — Conversation between Beatriz Atenciano, Violeta Assiego, Saida García (Euforia) and Mel de Lima (Colectiva Madrecitas). Supported by: Justa Teruel4pm The Legal Battle from Feminism 
 — Conversation between Caterina Canyelles, Isabel Giménez García, María Naredo and Miren Ortubay. Supported by: Marta Pérez6pm Feminist Horizons of Justice 
 — Conversation between Emanuela Borzacchiello, Susana Draper, Laura Iruarrizaga Ballesteros (8M Violence Commission) and Celeste Perosino. Supported by: Marta Malo
In the Spider’s Web
Children, Institutional Violence and Feminist Horizons of Justice

Held on 26, 27 abr 2024
Over the course of 2022 and 2023, in collaboration with the team of Museo en Red — renamed Tentacular Museum — La Laboratoria took part in the Critical Node entitled Militant Research, within Connective Tissue, the Museo Reina Sofía’s Study Programme. It also simultaneously drove forward and supported a series of residencies where different collectives, researchers and artists debated an array of subjects, focusing on a starting point of militant research as a political practice that generates collective knowledge. In the Spider’s Web is a two-day programme and comprises different conversations and a stage piece, the culmination of this process of research and creation.
La Laboratoria supports situated knowledge-production process from a feminist perspective. Over a two-year period, a network of protective mothers (mothers who have decided to protect their children from confirmed situations of paternal violence) has conducted research into the complex judicial and psycho-judicial process these mothers are embroiled in, as well as the consequences of falsely applying Parental Alienation Syndrome (PAS), a pseudo-scientific theory which hinders the proper investigation of gender-based violence against children and causes the mothers who report it to be criminalised. This enquiry process is reflected in Pamela Palenciano’s stage piece Arrancamiento (Wrenching) and in the publication En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras [In the Spider’s Web. Violence Against Children and the Struggle of Protective Mothers] (Traficantes de Sueños and La Laboratoria, 2024), written by an array of authors. Both works look to spotlight the institutional violence protective mothers are subjected to and the widespread vulnerability of children abused by their parents.
By setting out from this situated research, other broader questions arise: What happens when it is children that are subjected to patriarchal violence? Are children properly listened to when they refer to violence (physical, sexual, psychological) in their family? How are sexism, classism and racism a hindrance to this listening? What are the systems of protection that exist and when and how are they activated? What are the interpretations of the legal concept of “in the child’s best interests” and whom do they benefit? And what relation does all of this bear to feminisms and debates around justice? This double programme sets out to tackle these questions, opening up a space of reflection on justice as a collective practice, where mutual protection, support, accountability and reparation go hand in hand with the criticism of patriarchal, racist and classist logics.
Organised by
Museo Reina Sofía and La Laboratoria. Espacios de Investigación Feminista
Participants
Beatriz Atenciano is a child-youth psychologist specialised in interventions with the children of women who are victims of domestic abuse. She has worked as a psychologist in the consultancy of the Lesbian, Gay, Transexual, Bisexual and Intersexual Collective of Madrid (COGAM) and is co-author of the book Detrás de la pared. Una mirada multidisciplinar acerca de los niños, niñas y adolescentes expuestos a la violencia de género (Serendipity, 2025).
Violeta Assiego is a lawyer specialised in human rights. She conducts research in collaboration with associations and collectives with a gender-, child- and intersectional-based approach. Recently, she has been involved in the studies Aproximación a la monomarentalidad derivada de la violencia de género (An Approach to Single-parent Families Stemming from Gender-based Violence, FAMS, 2023) and Llegar a tiempo. Niñas, niños y adolescentes en situación de riesgo en España (Arriving in Time. Children and Teenagers in a Vulnerable Situation in Spain, Aldeas Infantiles, 2020).
Débora Ávila is a member of La Laboratoria. She supports protective mothers and is a co-author of the report Violencia institucional contra las madres y la infancia (Institutional Violence Against Mothers and Children, Spain’s Ministry of Equality, 2023) and En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras (Traficantes de Sueños and La Laboratoria, 2024).
Emanuela Borzacchiello is a historian specialised in the crossroads between femicide violence and political transformation within the framework of Mexican neoliberalism. Her most recent publication is ¡rExistimos! El feminicidio y la telaraña de poderes (Baja Tierra ediciones/Cieg-UNAM, 2023).
Caterina Canyelles is an anthropologist who specialises in the relationship between violence, access to justice and human rights from a feminist perspective, and the author of Machismo y cultura jurídica. Etnografía del proceso judicial de la violencia de género (Virus, 2023).
Susana Draper is a writer, activist and teacher from Uruguay. She is a professor at Princeton University and the author of books such as México 1968: experimentos de la libertad, constelaciones de la democracia (Siglo XXI Editores 2018) and Libres y sin miedo. Horizontes feministas para construir otros sentidos de justicia (Tinta Limón, 2024).
Saida García Casuso is a transfeminist activist. Fat, a dyke, precarious. She is the vice president and co-founder of Euforia. Familias Trans-Aliadas and an expert in socio-community intervention, sexual diversity and gender, specialising in children, youth and family. She is also co-author of the volume Cuando el Estado es violento. Narrativas de violencia contra las mujeres y las disidencias sexuales (Bellaterra, 2023).
Isabel Giménez García is a judge who focuses on children’s rights. Among other undertakings, she is the coordinator of the Association of Women Judges (AMJE).
Laura Iruarrizaga Ballesteros is a lawyer of public international law who specialises in immigration and gender law. She is also a member of the Work Group on Violence from the 8M Commission in Madrid.
Marisa Kohan is a journalist who specialises in gender, development cooperation and human rights. She has covered the struggle of protective mothers in the media for over four years.
Mel de Lima is a mother, activist, decolonial feminist and anti-racist, and a member of Madrecitas, a collective which denounces human rights violations and institutional violence against migrant mothers and their children.
Marta Malo is a writer, translator, activist researcher and a member of La Laboratoria. She is a co-author of Estamos para nosotras. Siete tesis por una práctica radical de los cuidados (Synusia, 2021) and En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras (Traficantes de sueños and La Laboratoria, 2024), among others.
Yolanda Mozota holds a degree in Political Science and Sociology from the Complutense University of Madrid, and is a trainer and specialist in Gestalt therapy and a trauma expert at the University of Alcalá. She is a survivor of sexual abuse in childhood.
María Naredo is a lawyer and feminist researcher who is specialised in human rights and gender. Since 1998, she has conducted research into gender-based violence, discrimination and human rights.
Miren Ortubay is a jurist, lawyer, criminal attorney and university lecturer from Spain. She is the head professor of Criminal Law at the University of the Basque Country, and a specialist in gender-based violence and the rights of prisoners.
Laura Pacas is a playwright, stage director and writer. She is part of projects such as Las Caminantas Teatro, made up of female migrant domestic and care workers, and Puente a la Inspiración, which comprises unmentored minors and looks to put their stories on stage.
Pamela Palenciano is an actress, communicator and feminist activist from Andalusia. Her work most notably includes the theatre monologue No solo duelen los golpes (It’s Not Only the Blows that Hurt, 2004), an autobiographical account of gender-based violence through humour and irony.
Marta Pérez is a professor of Anthropology at the Complutense University of Madrid, a member of the militant research association Entrar Afuera and co-author of the report "Violencia institucional contra las madres y la infancia" (Institutional Violence Against Mothers and Children, Spain’s Ministry of Equality, 2023).
Celeste Perosino is an anthropologist, founder of the Intervention Against Violence Collective. She is the co-author of Historias desaparecidas. Arqueología, memoria y violencia política (Brujas, 2000) and Ruptura. Acerca de la integridad en el cuerpo muerto desaparecido (EAE, 2011).
Berta Sepur is a protective mother who has been criminalised in defending the human rights of children who have suffered male sexual abuse. She also fights against the use of Parental Alienation Syndrome in Spanish courthouses. She participates in the Network of Protective Mothers and is a co-author of the publication En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras (Traficantes de Sueños and La Laboratoria, 2024).
Justa Teruel is a bookseller and writer who supports protective mothers. She is a co-author of the publication En la tela de araña. Las violencias contra la infancia y la lucha de las madres protectoras (Traficantes de Sueños and La Laboratoria, 2024).
Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 
![Maja Bajevic, Arts, Crafts and Facts (Top 10%, 90%) [Artes, artesanías y datos (Ricos 10%, 90%)], 1967. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/nim.jpg.webp)



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)