Joaquim Jordà Residencies

Number of residencies: 2
Grant: 9.000€ per residence
Call dates: 27 June - 11 August 2024
Organised by: Museo Reina Sofía, FIDMarseille and Doclisboa

The Museo Reina Sofía, FIDMarseille and Doclisboa present the second edition of this annual residencies programme aimed at film-makers and artists working in the field of the essay film, experimental cinema, and, essentially, all manifestations that shape non-fictional film. This joint residency, organised by a museum and two international film festivals, affords an opportunity to articulate different phases between the idea and the realisation of audiovisual work. Furthermore, the programme aims to support the conception, development and production of film projects in the sphere of non-fictional film, funding their execution and creating international networks of debate.

The programme pays homage to Joaquim Jordà (1935–2006), a film-maker whose work was both original and emblematic in the realm of non-fiction and with an arc that spanned the three countries of the institutions organising this residency. For instance, Jordà was honoured with Spain’s National Cinematography Award (2006), with his work a part of the Museo Reina Sofía Collection; the last retrospective at the end of his life was at FIDMarseille (2006); and one of his early films, Portogallo, paese tranquilo (1969), centred on resistance against the dictatorship in Portugal. Jordà traced a non-conformist and committed path in creative documentary, characterised by the use of theatre strategies and the mise en scène of profoundly experimental narratives which this open call looks to retrieve and establish as a genealogy in contemporary non-fiction film.

The residency puts forward three stages comprising the research and development of the project and its production and circulation, and will take place in Madrid, Marseille and Lisbon.

The beneficiaries, two per year, will automatically be invited to participate at FIDLab and Doclisboa. FIDLab is a platform of international co-production which is held while FIDMarseille takes place in early July and presents different projects up for funding and distribution. The projects awarded this Residency will be automatically evaluated by a FIDLab independent panel, and even if they are not included among the selected projects, they will still encounter professional opportunities offered by the platform.

Doclisboa, meanwhile, offers artists-in-residence contacts among guests at the festival, held in Lisbon in the second fortnight of October, offering them the chance to build connections with international networks of film-makers, artists and producers.

Residentes y proyectos

María Aparicio (España, 1992) propone una aproximación sensible a la memoria fílmica y la ética de las imágenes, y cómo estos conceptos influyen en las relaciones interpersonales. Su propuesta explora los orígenes del cine y de la clase obrera argentina durante la llamada Época Dorada de la economía nacional a inicios del siglo XX, cuestionando un relato dominante de progreso y desarrollo. Aparicio es autora de tres largometrajes: Las Calles (2016), Sobre las nubes (2022) y Las cosas indefinidas (2023); y ha sido galardonada con Mejor Dirección en BAFICI y Mejor Película en el Festival de Jeonju, Mar del Plata, FICValdivia, Festival internacional de Cine de Gijón y Ficunam.  

Andrés Jurado (Colombia, 1980) emplea material de archivo con fines experimentales, superponiendo distintas capas de historia y memoria colombiana. Utiliza la música popular para revivir recuerdos reprimidos de violencia política e incorporar lo teatral y lo performativo al cine. Jurado es cineasta y su obra explora las intersecciones entre el cine experimental y expandido, los archivos, los contraarchivos, el arte contemporáneo, la propaganda, el teatro, los extraterrestres, la carrera espacial y sus efectos en la construcción de narrativas y políticas contemporáneas. Es cofundador y codirector de La Vulcanizadora Laboratorio de Cine Experimental y Teatro Expandido.