Aesthetics of Peace and Desertion Tactics

Study Group

Miralda and Benet Rossell, París. La Cumparsita, 1972. Museo Reina Sofía

Miralda and Benet Rossell, París. La Cumparsita, 1972

Museo Reina Sofía

Date and time

Held on 08 Oct 2025; 24 Jun 2026

The study group Aesthetics of Peace and Tactics of Desertion: Prefiguring New Pacifisms and Forms of Transitional Justice proposes a rethinking—through both a theoretical-critical and historical-artistic lens—of the intricate network of concepts and practices operating under the notion of pacifism. A term not without contestation and critical tension, pacifism gathers under its name a multiplicity of practices—from anti-militarism and anti-war movements to non-violence activism—while simultaneously opening urgent debates around violence, justice, reparation, and desertion. Here, pacifism is not conceived as a moral doctrine, but as an active form of ethical and political resistance capable of generating aesthetic languages and new positions of social imagination.

Through collective study, the group seeks to update critical debates surrounding the use of violence and non-violence, as well as to explore the conflict of their representation at the core of visual cultures. In a present marked by rearmament, war, genocide, and the collapse of the social contract, this group aims to equip itself with tools to, on one hand, map genealogies and aesthetics of peace—within and beyond the Spanish context—and, on the other, analyze strategies of pacification that have served to neutralize the critical power of peace struggles. Transitional and anti-punitive justice proposals will also be addressed, alongside their intersections with artistic, visual, and cinematic practices. This includes examining historical examples of tribunals and paralegal activisms initiated by artists, and projects where gestures, imaginaries, and vocabularies tied to justice, reparation, memory, and mourning are developed.

It is also crucial to note that the study programme is grounded in ongoing reflection around tactics and concepts drawn, among others, from contemporary and radical Black thought—such as flight, exodus, abolitionism, desertion, and refusal. In other words, strategies and ideas that articulate ways of withdrawing from the mandates of institutions or violent paradigms that must be abandoned or dismantled. From feminist, internationalist, and decolonial perspectives, these concepts have nourished cultural coalitions and positions whose recovery today is urgent in order to prefigure a new pacifism: generative, transformative, and radical.

Aesthetics of Peace and Tactics of Desertion, developed and led by the Museo Reina Sofía’s Studies Management, unfolds through biweekly sessions from October to June. These sessions alternate between theoretical discussions, screenings, work with artworks and archival materials from the Museo’s Collection, reading workshops, and public sessions. The group is structured around sustained methodologies of study, close reading, and collective discussion of thinkers such as Judith Butler, Elsa Dorlin, Juan Albarrán, Rita Segato, Sven Lütticken, Ruth Wilson Gilmore, and Franco “Bifo” Berardi; historical episodes such as the anti-nuclear and anti-arms race movement in Spain; and the work of artists and activists including Rojava Film Commune, Manuel Correa and the Oficina de Investigación Documental (Office for Documentary Investigation), and Jonas Staal, among other initial cases that will expand as the group progresses.

Directed by

Julia Morandeira Arrizabalaga and Lola Visglerio Gómez

Coordinated by

Elena Corrales Pérez and Ana Vidal González

Organised by

Museo Reina Sofía

Participant Selection
Particular consideration will be given to candidates whose background and interests align with the study group's contents, as well as their commitment to regular attendance in the chosen format (on-site or online).
Participation requires a biweekly time commitment of two and a half hours per session, in addition to preparation time.
 

Agenda

miércoles 08 oct 2025 a las 17:30

Session 1. Introduction to the study group. Rethinking pacifism today: the discomfort of peace

miércoles 22 oct 2025 a las 17:30

Session 2. Uses of (non)violence: self-defense, subjectivation and resistance

—
Cross-reading of Elsa Dorlin and Judith Butler

Work readings:

  • Butler, J. (2020). Introduction. In The Force of Nonviolence: An Ethico-Political Bind (pp. 11-26). Verso.
  • Dorlin, E. (2022). Introduction (What a Body Can Do) and Chapter 1 (The Manufacture of Defenseless Bodies). In Self-Defense: A Philosophy of Violence (pp. 1-26). Verso.

Complementary materials:

  • Butler, J. (2009). Survivability, Vulnerability, Affect (Chapter 1). In Frames of War: When Is Life Grievable? (pp. 33-62). Verso.

miércoles 05 nov 2025 a las 17:30

Session 3. Aesthetics of violence and the conflict of representation I

On the representation of victims of violence(s) in the Basque Country: three photographic projects, with Juan Albarrán

Work readings:

  • Portela, E. (2016). El eco de los disparos: cultura y memoria de la violencia (pp. 119–146). Galaxia Gutenberg.

Complementary materials: 

  • Albarrán Diego, J. (2021). Susan Sontag, ante la representación de la tortura. Aisthesis. Revista Chilena de Investigaciones Estéticas, (69), 281–297. 
  • González de Durana, J. (Ed.). (2004). Laocoonte devorado. Arte y violencia política. Artium; Centro José Guerrero; DA2. 
  • Guerra, C. (Ed.). (2018). La paz aplazada. Documentos y ensayos en torno a una exposición. Fundació Tàpies.  
  • Sánchez Biosca, V. (2017). Miradas criminales, ojos de víctima. Imágenes de la aflicción en Camboya. Prometeo.

miércoles 19 nov 2025 a las 17:30

Session 4. Aesthetics of violence and the conflict of representation II

—Cross-reading of Ariella Azoulay, Ariel Goldberg and Yazan Khalili

Work readings:

  • Azoulay, A. A. (2008). Whose Gaze? In The Civil Contract of Photography (pp. 375–411). Zone Books. 
  • Goldberg, A., & Khalili, Y. (2021, February). We Stopped Taking Photos. e-flux Journal, (115). 

Complementary materials: 

  • Azoulay, A. A. (2008). Introduction. In The Civil Contract of Photography (pp. 9–30). Zone Books.

miércoles 03 dic 2025 a las 17:30

Session 5. Transitional justice: artistic interventions and reparative futures I

Archiviolítica. Methods and exoduses, with Andrés Jurado

Work readings:

  • Bermúdez, E. (2020). La música colombiana, pasado y presente. In A. Recasens & C. Spencer (Eds.), A tres bandas: Mestizaje, sincretismo e hibridación en el espacio sonoro iberoamericano (pp. 247–255). SEACEX; AKAL. 
  • Cure, S., & Jurado, A. (2022). CORTES, Cortacabezas: Conversaciones fragmentadas y visionarias sobre predación y tecnocapitalismo en la Amazonia colombiana. Revista Anthropológicas, 33(2), 114–132. https://doi.org/10.51359/2525-5223.2022.257002  
  • Figueroa-Salamanca, H. H., Carreño-Gómez, P. J., & Rey-Rodríguez, A. F. (2021). Los orígenes del pacifismo en la ATCC. En defensa del desarrollo territorial y la paz en Colombia (1987–1990). Eleuthera, 23(2), 207–232. 
  • Flórez Arias, J. M. (2025). Los árboles que borran la sabana: la colonización "verde" del Vichada. Mutante.  
  • Iyokina Gittoma, V. (2024). Tarro vacío [Short film]. La Vulcanizadora. 
  • Jurado, A. (2020). El renacer del Carare/The Rebirth of Carare [Short film]. La Vulcanizadora. 
  • Jurado, A. (2022). Yarokamena [Short film]. La Vulcanizadora. 
  • Rojas Arias, M. (2021). Abrir monte [Short film]. La Vulcanizadora. 
  • Rojas Arias, M. (2023). Un lugar para pensar tropicalmente (Bienal das Amazônias) [A Place to Think Tropically (Amazônias Biennial)] [Short film]. 
  • Guzmán, G., Fals Borda, O., & Umaña Luna, E. (1962). La Violencia en Colombia. Tercer Mundo. 
  • Sánchez, G. (1985). Los Bolcheviques del Líbano Tolima. El Áncora Editores. 
  • Viveiros de Castro, E. (2018). Los involuntarios de la patria. Le Partage. https://www.partage-le.com/2018/09/09/los-involuntarios-de-la-patria-eduardo-viveiros-de-castro/ 
  • La Vulcanizadora. (2025). La impureza del documental. Cuadernos de Cine Colombiano, (35), 106–135. 

miércoles 17 dic 2025 a las 17:30

Session 6. Transitional justice: artistic interventions and reparative futures II

—With Manuel Correa

Work readings:  

  • Giraldo, M., & Restrepo, C. (Dirs.). (2018). The Shape of Now [Feature film]. Atelier Bolombolo.
  • Rieff, D., & De Greiff, P. (2016). Does Collective Remembrance of a Troubled Past Impede Reconciliation? [Online debate].

Complementary materials: 

  • Collins, C. (2018). Transitional Justice "From Within": Police, Forensic and Legal Actors Searching for Chile's Disappeared. Journal of Human Rights Practice, 10 (3), 395–414. 
  • Correa, M., & Forensic Architecture. (2022). Situated Testimonies [Video].
  • Feldman, A. (2015). Chapter 1 (Before the Law at Guantánamo). In Archives of the Insensible: Of War, Photopolitics, and Dead Memory (pp. 33–68). The University of Chicago Press.
  • Feldman, A. (2019). War Under Erasure: Contretemps, Disappearance, Anthropophagy, Survivance. Theory & Event, 22(1), 175–203.

lunes 28 sep 2026 a las 17:30

Session 7. Introduction to the second term: Narratives and visual cultures of peace

—Research presentations by group members: Head Shaving: Archives and Repertoires of Shame, with Ana Pol 

Work readings:  

miércoles 11 feb 2026 a las 17:30

Session 8. Imaginaries and strategies of peace, solidarity and internationalism I

Who Is Afraid of the Bandung Spirit?, with Philippe Pirotte 

Work readings:  

  • Mey, V., & Pirotte, P. (2025). Who's Afraid of the Bandung Spirit? In V. Mey & P. Pirotte (Eds.), Who's Afraid of the Bandung Spirit? (pp. 1–20). Unpublished manuscript.   

Complementary materials: 

  • Chakrabarty, D. (2010). The Legacies of Bandung: Decolonization and the Politics of Culture. In Making a World after Empire: The Bandung Moment and Its Political Afterlives (pp. 45–68). Ohio University Press. 
  • Finder, D. M. (2020). Blinded by Bandung? Illumining West Papua, Senegal, and the Black Pacific. Comparative Studies of South Asia, Africa and the Middle East, 40(1), 164–182. 
  • Gupta, A. (2016). After Bandung: Transacting the Nation in a Postcolonial World. In Postwar: Art between the Pacific and Atlantic, 1945–1965 (pp. 632–637). Haus der Kunst; Prestel. 
  • Prashad, V. (2007). The Darker Nations: A People's History of the Third World. The New Press.  
  • Samour, N. (2025). Palestine at Bandung: The Longwinded Start of a Reimagined International Law. In V. Mey & P. Pirotte (Eds.), Who's Afraid of the Bandung Spirit? (pp. 1–21). Spector Books. 
  • Shimazu, N. (2014). Diplomacy as Theatre: Staging the Bandung Conference of 1955. Modern Asian Studies, 48(1), 225–252. 

miércoles 25 feb 2026 a las 17:30

Session 9. Imaginaries and strategies of peace, solidarity and internationalism II

—Research presentations by group members: Images of peace? Aesthetics and strategies of peace and internationalism in the Spanish Anti-NATO Movement, with Giulia Quaggio and Lola Visglerio Gómez 

Work readings:  

  • Quaggio, G. (2025). The Dark Mirror of Latin America and the Spanish Anti-NATO Movements in the Late Cold War. In L. A. Brunet & E. Karamouzi (Eds.), Beyond the Euromissile Crisis: Global Histories of Anti-Nuclear Activism in the Cold War (pp. 253–278). Berghahn Books. 

Complementary materials: 

  • Quaggio, G. (2021). Walls of Anxiety: The Iconography of Anti-NATO Protests in Spain, 1981–1986. Journal of Contemporary History, 56(3), 693–719. 
  • Quaggio, G., & Molina, S. (Eds.). (2023). Imaginando la Guerra Fría desde los márgenes. Comares. 
  • VV. AA. (2018). The Long 1980s: Constellations of Art, Politics and Identities. Valiz; L'Internationale. 
  • Ziemann, B. (2008). The Code of Protest: Images of Peace in the West German Peace Movements, 1945–1990. Contemporary European History, 17(2), 237–261. 

miércoles 11 mar 2026 a las 17:30

Session 10. Imaginaries and strategies of peace, solidarity and internationalism III 

Past Disquiet: Excavating Solidarity in the Arts, with Rasha Salti 

Work readings:  

  • Khouri, K., & Salti, R. (Eds.). (2018). Past Disquiet: Essays on the International Art Exhibition for Palestine and 1970s Anti-Imperialist Solidarity (pp. 27–59). Museum of Modern Art in Warsaw. 

Complementary materials: 

miércoles 25 mar 2026 a las 17:30

Session 11. Feminisms and raging peace

—Research presentations by group members: Photography as feminist insurrection: visual practices of a raginge peace, with Sandra Bustamante; Feminist memories in Latin America, with Sandra Villanueva-Gallardo. 

Work readings:  

  • Cvetkovich, A. (2003). Introduction. In An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures (pp. 1–7). Duke University Press.   
  • Villanueva-Gallardo, S. (2025). Outsider-insider: una experiencia identitaria de los feminismos latinoamericanos. Íconos. Revista de Ciencias Sociales, 29(81), 199–216. 

Complementary materials: 

  • Cixous, H. (1992). Introduction. In D. Jenson (Ed.), Coming to Writing and Other Essays (pp. 1–58). Harvard University Press. 
  • Cixous, H. (Summer, 1976). La Laugh of the Medusa. Signs, 1(4), pp. 875-893. 
  • De La Cerda, D. (2023). Feminismo sin cuarto propio. IEn Desde los zulos (pp. 11–46). Sexto Piso. 
  • Mora, M. (2022). Agendas feministas anti-racistas y descoloniales, la búsqueda del locus de enunciación del ser mestiza. Estudios Sociológicos, 40 (Special Issue), 179–210. 

miércoles 08 abr 2026 a las 17:30

Session 12. Desertion: fugitive aesthetics and tactics I

 Desertion, Escape, Strike: Rejection and Non-Reconciliation, with Julia Morandeira Arrizabalaga

  • Berardi, F. (2024). Introduction. In Quit Everything: Interpreting Depression. Repeater Books.

miércoles 22 abr 2026 a las 17:30

Session 13. Desertion: fugitive aesthetics and tactics II 

The Desire to Stop a War: Liberation Radio, with Martí Manen

miércoles 06 may 2026 a las 17:30

Session 14. Carceral and abolitionist geographies

—Cross-reading of Ruth Wilson Gilmore and Fred Moten 

Work readings:  

Complementary materials: 

miércoles 20 may 2026 a las 17:30

Session 15. Anti-Punitivism and transformative justice

— Screening and discussion of Oído odio, by Diego del Pozo Barriuso 

Work readings:  

miércoles 03 jun 2026 a las 17:30

Session 16. What idea of peace today?

— Closing session

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Miralda and Benet Rossell, París. La Cumparsita, 1972. Museo Reina Sofía
Eduardo Herrero Varea, Para salir de la OTAN no vayas a desfilar, ven a bailar a la plaza de San Nicolás (To Leave NATO Do Not March. Come and Dance in San Nicolás Square), 1984. Museo Reina Sofía
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