- 
                        27 February, 2014 Nouvel building, Auditorium 400 Opening Session7:00 - 7:30 p.m. Introduction by Manuel Borja-Villel, Zdenka Badovinac and Bartomeu Marí 
 7:30 - 8:30 p.m. Conversation with Jesús Carrillo, Antonio Negri, and Raúl Sánchez CedilloThe invited speakers will talk about the functions of Europe in the artistic and political imagination of the 21st century, following one hundred years of exhaustion of colonial Europe and the idea of nation-states. Europe is viewed as a tragedy of brotherhood and anti-fascism, as well as a constant strife for political and institutional creations, quite distant from the images of the people passed down to us from Romanticism. Participants: Zdenka Badovinac. Director of Moderna Galerija in Ljubljana (Slovenia) since 1993. Curator and art historian. Founding and executive member of the European museum network L’Internationale. Manuel Borja-Villel. Director of Museo Reina Sofía since 2008. He has also been the director of Fundació Tàpies (1990-1998) and of MACBA (1998-2007). Executive member of the European museum network L´Internationale. Bartomeu Marí. Director of MACBA since 2008, he has also been the director of Witte de With, Rotterdam (1996-2001). Executive member of the European museum network L´Internationale. Antonio Negri. post-operaist philosopher and thinker, co-author, with Michael Hardt, of Empire (2002), Multitude: War and Democracy in the Age of Empire (2004) and Commonwealth (2011) and Declaration (2013). Raúl Sánchez Cedillo. Translator and editor of books by authors such as Toni Negri and Felix Guattari. Since the 1990s he has been involved in various political networks and research groups in post-operaist circles. He is part of Universidad Nómada and of the Fundación de los Comunes. 
- 
                        28 February, 2014 Nouvel building, Auditorium 400 Session 1Round table 1. Organising in times of institutional crisis. Dialogue between Antonio Negri, Valery Alzaga and Ada Colau. Moderated by Raúl Sánchez Cedillo The austerity policies put in place by European governments through the Troika have turned a financial crisis into a project bent on the destruction of social and workers’ rights, and they have established a regime of infinite debt on individuals and institutions. But new political and institutional creations are demonstrating that debt and democracy based on citizen participation and on social rights are incompatible. In these creations we get a glimpse of prototypes of a Europe made from the bottom up, out of the sense of brotherhood of the social struggles and self-organisation by citizens. Round table 2. New democracies and forms of the commons. Dialogue between Isabell Lorey, Montserrat Galcerán and Marina Garcés. Moderated by Raúl Sánchez Cedillo. The ideal of social and political citizenship in Europe has never been more than a distant aspiration, constantly belied by the facts. While in effect, it was dominated by a white, male, industrial, national and state-oriented figure. And with the hegemony of the neoliberal paradigm, even the collective reference associated with the working class and union movements has disappeared. The “government of the precarious” is imbued with individualism and the abandonment of collective solidarities. However, the practices of the commons, both those linked to the “natural commons” (water, land, renewable energies) and those linked to the “artificial commons” (knowledge, care-giving, networks) enable us to imagine a Europe united by new institutions of the commons, born out of cooperation and care-giving between precarious lives that have taken the form of a challenge. Participants: Valery Alzaga. Chicana union organiser and migrant rights activist. She has also worked as a union 
 co-ordinator in Europe and Africa. She is researching the development of new forms of
 bio-unionism and emotional organisation.Ada Colau. Activist and spokesperson of PAH (Platform for Mortgage Victims). She has been involved in numerous social movements since 2001. She is the co-author, along with Adriá Alemany, of the book Vidas hipotecadas. De la burbuja inmobiliaria al derecho a la vivienda (2012). Montserrat Galcerán. Professor of philosophy at Universidad Complutense de Madrid. Social activist and writer, she is the author of Innovación tecnológica y sociedad de masas (1997) and Deseo (y) libertad. Presupuestos de la acción colectiva (2009). Marina Garcés. Professor of philosophy at the University of Zaragoza and consultant at Universitat Oberta de Catalunya. Since 2002 she has been promoting and coordinating the collective project Espai en Blanc, which works towards an engaged, practical and experimental relationship with philosophical thought. She is the author of Un mundo común (2013) and En las prisiones de lo posible (2012). Isabell Lorey. Visiting professor of political theory at the Centre for Gender Studies at the University of Basel. She conducts research about the precarization of work and life in neoliberal society, social movements, democracy and representation. She is part of the collective kpD -kleines postfordistisches Drama- and she has published, among other works, Governmentality and self-precarization (2006) and Occupy! Die aktuellen Kämpfe um die Besetzung des Politischen (2012). Antonio Negri. Post-operaist philosopher and thinker, co-author, with Michael Hardt, of Empire (2002), Multitude: War and Democracy in the Age of Empire (2004) and Commonwealth. (2011) and Declaration (2013). Raúl Sánchez Cedillo. Translator and editor of books by authors such as Toni Negri and Felix Guattari. Since the 1990s he has been involved in various political networks and research groups in post-operaist circles. He is part of Universidad Nómada and of the Fundación de los Comunes. 
- 
                        1 March, 2014 Nouvel building, Auditorium 400 Session 2Round table 3. Europe as a province. Dialogue between Ranabir Samaddar, Sandro Mezzadra and Jesús Carrillo. Moderated by Francesco Salvini The ambiguity of the European project can be seen in its very history. The antifascist brotherhood of the “founding fathers” never questioned the colonial and imperialist reality of the founding nations. The return of the repressed lives in the peripheries of European cities, as the post-colonial reality; banlieue, internal borders and the political exclusion of millions of people. At the same time, the convulsions of the globalisation process all over the world put the continent in a provincial position, i.e. no longer central. The end of the colonial legacy of the European nations is considered a condition for democratic emancipation on the continent. Round table 4. For a new social contract on culture. Dialogue between Bojana Piskur and Hilary Wainwright. Moderated by Yaiza Hernández Culture, which was one of the pillars of the ideological reconstruction of Europe after the war, has seen its enlightened foundations slowly erode as a result of its enclosure in the market and in art institutions, and because of its distance from society’s conflicts and contemporary subjectification processes. What would be the basic elements of this new contract that would put culture at the centre of social emancipation processes? Participants: Jesús Carrillo. Head of Cultural Programs at Museo Reina Sofía and professor of art history at Universidad Autónoma de Madrid. Yaiza Hernández. Lecturer in the MRes Art at Central Saint Martins (London) and a PhD candidate at the Centre for Research in Modern European Philosophy. Until 2012, she was Head of Public Programmes at MACBA, before that, she worked as director of CENDEAC (Murcia) and curator at CAAM (Las Palmas). She have recently published Inter/Multi/Cross/Trans. (Montehermoso, 2011). She is currently preparing Repressive Tolerance, and General Theory. Sandro Mezzadra. Professor of contemporary political theory and post-colonial studies at the University of Bologna. He is co-director of the magazine DeriveApprodi, a member of the editorial collective Studi Culturali and he also contributes to the newspaper Il Manifesto. He has published The Right to Escape. Migration, citizenship and globalization (2004) and La condizione postcoloniale. Storia e politica nel mondo globale (2008), among other works. Bojana Piskur. Art historian, curator at the Moderna Galerija of Ljubljana and a founding member of the group Radical Education. Francesco Salvini. Sociologist and researcher at Queen Mary University, he also forms part of the social centre Exit-Raval and of Universidad Nómada. Ranabir Samaddar. Director of the Calcutta Research Group. He has studied the issue of human rights in the conflicts of south Asia. He has published The Politics of Dialogue (2004), Emergence of the Political Subject (2009) and The Nation Form (2012). Hilary Wainwright. Feminist sociologist and activist, she is a researcher at the Transnational Institute and at the International Centre for Participation Studies (ICPS). She is the editor of the British magazine Red Pepper. 
The new abduction of Europe: debt, war, democratic revolutions

Held on 27 feb 2014
Organised within the framework of The Uses of Art, a project by the European museum network L´Internationale, this event reflects on the formation of new cultural and political agents as a result of the insufficiency of the institutional structures that have articulated the European project up to now. Structured into workshops and round tables, the event seeks to pave the way for a renewed social pact between institutions and civil society.
The reasons that the institutional structures have proven insufficient are various and complex. On the one hand, the fall of the Berlin Wall and the end of the Cold War, which reduced the need for a united Europe as anti-Soviet as it had originally been anti-Fascist. Another factor was the primarily economic slant of the EU process in the 1990s, which neglected the cultural and political foundations that would make the European project capable of responding to the processes of democratic agency in a society in continuous transformation.
A new “abduction of Europe” has occurred but this time it is not the crafty Zeus who, charmed by the Phoenician woman named Europa, abducts her in order to offer her the pleasure and glory of the Greek kingdom. Instead, it is financial logic that abducts her, and at a very high price: the very identity of Europe as the potential for change and for democratic emancipation. Spurred by this dramatic urgency, the encounter intends to help lay the foundations of a radically new form of political and cultural agency. Aware of the changes occurring in the world system and of the end of liberal public sphere, The new abduction of Europe seeks the emergence of new actors arising from collective intelligence and the transformation of museums and cultural institutions in recognition.
Despite an almost existential precariousness, it is the world of art and of the new cognitive work movements that have most theorised and practiced a different Europe, conceiving of it as a space in which to imagine a new critical and common process. An expectation which, in the framework of L’Internationale –a museum network based on horizontality between institutions and also between institutions and society– tries to define a common vocabulary, so as to bolster a unifying project that breaks through the border between debate and action and that, in short, thinks about the potential and accumulation of culture in times of austerity and scarcity.
The event will have two round tables, with important European thinkers, which will be open to the public and also streamed live. At both debates there will be active moderation and a direct dialogue with members of the audience, those present physically and those participating through the social networks. The two tables will examine the most pressing questions related to Europe’s present.
Organised by
L’internationale, European network of museums, and Fundación de los Comunes within the framework of The Uses of Art


Más actividades
 - Christian Nyampeta and the École du soir- 13, 14, 15 NOV, 11, 12, 13 DIC 2025 - Christian Nyampeta is a Rwandan artist, musician and film-maker whose work encompasses pedagogies and community forms of knowledge production and transmission. His Ècole du soir (Evening School) is an art project conceived as a mobile space of collective learning and is named in homage to Ousmane Sembène (1923–2007), a pioneer of African cinema who defined his films as “evening classes” for the people, a medium of education and emancipation through culture. - This block is made up of three double sessions: the video work of Christian Nyampeta, the films of École du soir and one of Ousmane Sèmbene’s feature-length films. Nyampeta will introduce all three first sessions. 
 - UP/ROOTING- 11, 12, 13, 14, 15, 16 NOV 2025 - Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona. - The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities. - Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world. - In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking: - How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate? - Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments. 
 - The Joaquim Jordà Residencies 2025- Friday, 7 November 2025 - 7pm - In this activity, the recipients of the 2024–2025 Joaquim Jordà Residencies call, María Aparicio (Argentina, 1992) and Andrés Jurado (Colombia, 1980), present respective projects related to their body of work in an open session in which to discover the creative interests of two of the most up-and-coming independent film-makers in Latin America today. - María Aparicio presents the working process behind her film De sol a sol (From Sun to Sun), along with a brief journey through the films prior to this project and her filmic searches in recent years. Aparicio synthesises the storyline of De sol a sol from the silhouettes of a group of men who appear between the stalks of a reedbed. Their knives glisten as the sun hits them, flashing and disappearing with their hand movements. Apprentices split the canes using no method; seasoned workers cut with skill. They are workers from a sugar mill in northern Argentina and are watched by Juan Bialet Massé, accompanied by Rosich, assistant and photographer. It is Argentina in 1904 and he is carrying out a mission assigned to him by his country’s government: to travel the Argentinian provinces, reporting on the state of the working classes. - Andrés Jurado, for his part, will look over his own work and the work of the La Vulcanizadora lab in this session. He will also open the archive stemming from the research process in the project Tonada, a journey through the succession of peace agreement betrayals in the history of Colombia. From the colonial era, understood in tumultuous terms, as a hurricane that keeps swirling, to the present day he traces the stories of people like Tacurrumbí, Benkos Biohó, Bateman and the many women and men who were betrayed by governments and oppressors. Tonada seeks to build a sound and film dialogue between the guerrilla disarmament of 1953 and the period following the peace agreement of 2016, invoking these and other events and confronting traumas of betrayal through a film composition devised to be sung. But what is sung? Some of these songs are heard and voices are shared in this presentation. - The Joaquim Jordà Residences programme for film-makers and artists was set in motion by the Museo Reina Sofía in 2022. The initiative comprises a grant for writing a film project rooted in experimentation and essay, as well as two subsequent residencies in FIDMarseille and Doclisboa, international film festivals devoted to exploring non-fictional film and new forms of audiovisual expression. 
 - Ylia and Marta Pang- Thursday, 6 November - 8pm - The encounter between Spanish DJ and producer Ylia and visual artist Marta Pang is presented in the form of a premiere in the Museo Reina Sofía. Both artists converge from divergent trajectories to give form to a new project conceived specifically for this series, which aims to create new stage projects by setting out from the friction between artists and dialogue between disciplines. 
![Carol Mansour y Muna Khalidi, A State of Passion [Estado de pasión], 2024, película](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/palestine%20cinema%20day%202.jpg.webp) - Palestine Cinema Days- Sábado 1 de noviembre, 2025 – 19:00 h - The Museo Reina Sofia joins the global action in support of Palestine with the screening of A State of Passion (2024), a documentary by Carol Mansour and Muna Khalidi. The film features in Palestine Cinema Days Around the World, an annual festival, held globally every November, which aims to show films made in Palestine to an international audience. The initiative was conceived as a form of cultural resistance which seeks to give a voice to artists from Palestine, question dominant narratives and create networks of solidarity with the Palestinian people. - Palestine Cinema Days Around the World originates from Palestine Cinema Days, a festival organised in Palestine since 2014 with the aim of granting visibility to Palestinian cinema and to support the local film community. In 2023 the festival was postponed because of the war in Gaza, and has since become borderless in scope, holding close to 400 international screenings in almost sixty countries in 2024. This global effort is a show of solidarity with Palestine and broadens the voices and support networks of the Palestinian people around the world. - A State of Passion exposes the atrocities committed against the Gaza population via the testimony of Dr Ghassan Abu Sittah, a Palestinian-British plastic surgeon living in London who decides to return to Gaza and save lives in the city’s hospitals amid the Israeli army’s indiscriminate bombing of the population. A necessary film exposé of the experience of unrelentingly working twenty-four hours a day for forty-three days in the Al Shifa and Al Ahli Hospitals in the city of Gaza. 



![Miguel Brieva, ilustración de la novela infantil Manuela y los Cakirukos (Reservoir Books, 2022) [izquierda] y Cibeles no conduzcas, 2023 [derecha]. Cortesía del artista](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/ecologias_del_deseo_utopico.jpg.webp)
![Ángel Alonso, Charbon [Carbón], 1964. Museo Reina Sofía](https://recursos.museoreinasofia.es/styles/small_landscape/public/Actividades/perspectivas_ecoambientales.jpg.webp)