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27 February, 2014 Nouvel building, Auditorium 400
Opening Session
7:00 - 7:30 p.m. Introduction by Manuel Borja-Villel, Zdenka Badovinac and Bartomeu Marí
7:30 - 8:30 p.m. Conversation with Jesús Carrillo, Antonio Negri, and Raúl Sánchez CedilloThe invited speakers will talk about the functions of Europe in the artistic and political imagination of the 21st century, following one hundred years of exhaustion of colonial Europe and the idea of nation-states. Europe is viewed as a tragedy of brotherhood and anti-fascism, as well as a constant strife for political and institutional creations, quite distant from the images of the people passed down to us from Romanticism.
Participants:
Zdenka Badovinac. Director of Moderna Galerija in Ljubljana (Slovenia) since 1993. Curator and art historian. Founding and executive member of the European museum network L’Internationale.
Manuel Borja-Villel. Director of Museo Reina Sofía since 2008. He has also been the director of Fundació Tàpies (1990-1998) and of MACBA (1998-2007). Executive member of the European museum network L´Internationale.
Bartomeu Marí. Director of MACBA since 2008, he has also been the director of Witte de With, Rotterdam (1996-2001). Executive member of the European museum network L´Internationale.
Antonio Negri. post-operaist philosopher and thinker, co-author, with Michael Hardt, of Empire (2002), Multitude: War and Democracy in the Age of Empire (2004) and Commonwealth (2011) and Declaration (2013).
Raúl Sánchez Cedillo. Translator and editor of books by authors such as Toni Negri and Felix Guattari. Since the 1990s he has been involved in various political networks and research groups in post-operaist circles. He is part of Universidad Nómada and of the Fundación de los Comunes.
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28 February, 2014 Nouvel building, Auditorium 400
Session 1
Round table 1. Organising in times of institutional crisis. Dialogue between Antonio Negri, Valery Alzaga and Ada Colau. Moderated by Raúl Sánchez Cedillo
The austerity policies put in place by European governments through the Troika have turned a financial crisis into a project bent on the destruction of social and workers’ rights, and they have established a regime of infinite debt on individuals and institutions. But new political and institutional creations are demonstrating that debt and democracy based on citizen participation and on social rights are incompatible. In these creations we get a glimpse of prototypes of a Europe made from the bottom up, out of the sense of brotherhood of the social struggles and self-organisation by citizens.
Round table 2. New democracies and forms of the commons. Dialogue between Isabell Lorey, Montserrat Galcerán and Marina Garcés. Moderated by Raúl Sánchez Cedillo.
The ideal of social and political citizenship in Europe has never been more than a distant aspiration, constantly belied by the facts. While in effect, it was dominated by a white, male, industrial, national and state-oriented figure. And with the hegemony of the neoliberal paradigm, even the collective reference associated with the working class and union movements has disappeared. The “government of the precarious” is imbued with individualism and the abandonment of collective solidarities. However, the practices of the commons, both those linked to the “natural commons” (water, land, renewable energies) and those linked to the “artificial commons” (knowledge, care-giving, networks) enable us to imagine a Europe united by new institutions of the commons, born out of cooperation and care-giving between precarious lives that have taken the form of a challenge.
Participants:
Valery Alzaga. Chicana union organiser and migrant rights activist. She has also worked as a union
co-ordinator in Europe and Africa. She is researching the development of new forms of
bio-unionism and emotional organisation.Ada Colau. Activist and spokesperson of PAH (Platform for Mortgage Victims). She has been involved in numerous social movements since 2001. She is the co-author, along with Adriá Alemany, of the book Vidas hipotecadas. De la burbuja inmobiliaria al derecho a la vivienda (2012).
Montserrat Galcerán. Professor of philosophy at Universidad Complutense de Madrid. Social activist and writer, she is the author of Innovación tecnológica y sociedad de masas (1997) and Deseo (y) libertad. Presupuestos de la acción colectiva (2009).
Marina Garcés. Professor of philosophy at the University of Zaragoza and consultant at Universitat Oberta de Catalunya. Since 2002 she has been promoting and coordinating the collective project Espai en Blanc, which works towards an engaged, practical and experimental relationship with philosophical thought. She is the author of Un mundo común (2013) and En las prisiones de lo posible (2012).
Isabell Lorey. Visiting professor of political theory at the Centre for Gender Studies at the University of Basel. She conducts research about the precarization of work and life in neoliberal society, social movements, democracy and representation. She is part of the collective kpD -kleines postfordistisches Drama- and she has published, among other works, Governmentality and self-precarization (2006) and Occupy! Die aktuellen Kämpfe um die Besetzung des Politischen (2012).
Antonio Negri. Post-operaist philosopher and thinker, co-author, with Michael Hardt, of Empire (2002), Multitude: War and Democracy in the Age of Empire (2004) and Commonwealth. (2011) and Declaration (2013).
Raúl Sánchez Cedillo. Translator and editor of books by authors such as Toni Negri and Felix Guattari. Since the 1990s he has been involved in various political networks and research groups in post-operaist circles. He is part of Universidad Nómada and of the Fundación de los Comunes.
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1 March, 2014 Nouvel building, Auditorium 400
Session 2
Round table 3. Europe as a province. Dialogue between Ranabir Samaddar, Sandro Mezzadra and Jesús Carrillo. Moderated by Francesco Salvini
The ambiguity of the European project can be seen in its very history. The antifascist brotherhood of the “founding fathers” never questioned the colonial and imperialist reality of the founding nations. The return of the repressed lives in the peripheries of European cities, as the post-colonial reality; banlieue, internal borders and the political exclusion of millions of people. At the same time, the convulsions of the globalisation process all over the world put the continent in a provincial position, i.e. no longer central. The end of the colonial legacy of the European nations is considered a condition for democratic emancipation on the continent.
Round table 4. For a new social contract on culture. Dialogue between Bojana Piskur and Hilary Wainwright. Moderated by Yaiza Hernández
Culture, which was one of the pillars of the ideological reconstruction of Europe after the war, has seen its enlightened foundations slowly erode as a result of its enclosure in the market and in art institutions, and because of its distance from society’s conflicts and contemporary subjectification processes. What would be the basic elements of this new contract that would put culture at the centre of social emancipation processes?
Participants:
Jesús Carrillo. Head of Cultural Programs at Museo Reina Sofía and professor of art history at Universidad Autónoma de Madrid.
Yaiza Hernández. Lecturer in the MRes Art at Central Saint Martins (London) and a PhD candidate at the Centre for Research in Modern European Philosophy. Until 2012, she was Head of Public Programmes at MACBA, before that, she worked as director of CENDEAC (Murcia) and curator at CAAM (Las Palmas). She have recently published Inter/Multi/Cross/Trans. (Montehermoso, 2011). She is currently preparing Repressive Tolerance, and General Theory.
Sandro Mezzadra. Professor of contemporary political theory and post-colonial studies at the University of Bologna. He is co-director of the magazine DeriveApprodi, a member of the editorial collective Studi Culturali and he also contributes to the newspaper Il Manifesto. He has published The Right to Escape. Migration, citizenship and globalization (2004) and La condizione postcoloniale. Storia e politica nel mondo globale (2008), among other works.
Bojana Piskur. Art historian, curator at the Moderna Galerija of Ljubljana and a founding member of the group Radical Education.
Francesco Salvini. Sociologist and researcher at Queen Mary University, he also forms part of the social centre Exit-Raval and of Universidad Nómada.
Ranabir Samaddar. Director of the Calcutta Research Group. He has studied the issue of human rights in the conflicts of south Asia. He has published The Politics of Dialogue (2004), Emergence of the Political Subject (2009) and The Nation Form (2012).
Hilary Wainwright. Feminist sociologist and activist, she is a researcher at the Transnational Institute and at the International Centre for Participation Studies (ICPS). She is the editor of the British magazine Red Pepper.
The new abduction of Europe: debt, war, democratic revolutions
- Seminars and Lectures
- Workshop

Held on 27 feb 2014
Organised within the framework of The Uses of Art, a project by the European museum network L´Internationale, this event reflects on the formation of new cultural and political agents as a result of the insufficiency of the institutional structures that have articulated the European project up to now. Structured into workshops and round tables, the event seeks to pave the way for a renewed social pact between institutions and civil society.
The reasons that the institutional structures have proven insufficient are various and complex. On the one hand, the fall of the Berlin Wall and the end of the Cold War, which reduced the need for a united Europe as anti-Soviet as it had originally been anti-Fascist. Another factor was the primarily economic slant of the EU process in the 1990s, which neglected the cultural and political foundations that would make the European project capable of responding to the processes of democratic agency in a society in continuous transformation.
A new “abduction of Europe” has occurred but this time it is not the crafty Zeus who, charmed by the Phoenician woman named Europa, abducts her in order to offer her the pleasure and glory of the Greek kingdom. Instead, it is financial logic that abducts her, and at a very high price: the very identity of Europe as the potential for change and for democratic emancipation. Spurred by this dramatic urgency, the encounter intends to help lay the foundations of a radically new form of political and cultural agency. Aware of the changes occurring in the world system and of the end of liberal public sphere, The new abduction of Europe seeks the emergence of new actors arising from collective intelligence and the transformation of museums and cultural institutions in recognition.
Despite an almost existential precariousness, it is the world of art and of the new cognitive work movements that have most theorised and practiced a different Europe, conceiving of it as a space in which to imagine a new critical and common process. An expectation which, in the framework of L’Internationale –a museum network based on horizontality between institutions and also between institutions and society– tries to define a common vocabulary, so as to bolster a unifying project that breaks through the border between debate and action and that, in short, thinks about the potential and accumulation of culture in times of austerity and scarcity.
The event will have two round tables, with important European thinkers, which will be open to the public and also streamed live. At both debates there will be active moderation and a direct dialogue with members of the audience, those present physically and those participating through the social networks. The two tables will examine the most pressing questions related to Europe’s present.
Organised by
L’internationale, European network of museums, and Fundación de los Comunes within the framework of The Uses of Art


Más actividades
Aesthetics of Peace and Desertion Tactics
8, 22 OCT, 5, 19 NOV, 3, 17, 31 DIC 2025,14, 28 ENE, 11, 25 FEB, 11, 25 MAR, 8, 22 ABR, 6, 20 MAY, 3, 17 JUN 2026
The study group Aesthetics of Peace and Tactics of Desertion: Prefiguring New Pacifisms and Forms of Transitional Justice proposes a rethinking—through both a theoretical-critical and historical-artistic lens—of the intricate network of concepts and practices operating under the notion of pacifism. A term not without contestation and critical tension, pacifism gathers under its name a multiplicity of practices—from anti-militarism and anti-war movements to non-violence activism—while simultaneously opening urgent debates around violence, justice, reparation, and desertion. Here, pacifism is not conceived as a moral doctrine, but as an active form of ethical and political resistance capable of generating aesthetic languages and new positions of social imagination.
Through collective study, the group seeks to update critical debates surrounding the use of violence and non-violence, as well as to explore the conflict of their representation at the core of visual cultures. In a present marked by rearmament, war, genocide, and the collapse of the social contract, this group aims to equip itself with tools to, on one hand, map genealogies and aesthetics of peace—within and beyond the Spanish context—and, on the other, analyze strategies of pacification that have served to neutralize the critical power of peace struggles. Transitional and anti-punitive justice proposals will also be addressed, alongside their intersections with artistic, visual, and cinematic practices. This includes examining historical examples of tribunals and paralegal activisms initiated by artists, and projects where gestures, imaginaries, and vocabularies tied to justice, reparation, memory, and mourning are developed.
It is also crucial to note that the study programme is grounded in ongoing reflection around tactics and concepts drawn, among others, from contemporary and radical Black thought—such as flight, exodus, abolitionism, desertion, and refusal. In other words, strategies and ideas that articulate ways of withdrawing from the mandates of institutions or violent paradigms that must be abandoned or dismantled. From feminist, internationalist, and decolonial perspectives, these concepts have nourished cultural coalitions and positions whose recovery today is urgent in order to prefigure a new pacifism: generative, transformative, and radical.
Aesthetics of Peace and Tactics of Desertion, developed and led by the Museo Reina Sofía’s Studies Management, unfolds through biweekly sessions from October to June. These sessions alternate between theoretical discussions, screenings, work with artworks and archival materials from the Museo’s Collection, reading workshops, and public sessions. The group is structured around sustained methodologies of study, close reading, and collective discussion of thinkers such as Judith Butler, Elsa Dorlin, Juan Albarrán, Rita Segato, Sven Lütticken, Ruth Wilson Gilmore, and Franco “Bifo” Berardi; historical episodes such as the anti-nuclear and anti-arms race movement in Spain; and the work of artists and activists including Rojava Film Commune, Manuel Correa and the Oficina de Investigación Documental (Office for Documentary Investigation), and Jonas Staal, among other initial cases that will expand as the group progresses.
Rethinking Guernica
21, 28, 22, 29 SEP, 5, 12, 19, 26, 6, 13, 20, 27 OCT, 2, 9, 16, 23, 30, 3, 10, 17, 24 NOV, 7, 14, 21, 28, 1, 8, 15, 22, 29 DIC 2025
This guided tour activates the microsite Rethinking Guernica, a research project developed by the Museo Reina Sofía’s Collections Area, Conservation and Restoration Department and the Digital Projects Area of the Editorial Activities Department, assembling around 2,000 documents, interviews and counter-archives related to Pablo Picasso’s painting Guernica (1937).
The visit sets out an in-situ dialogue between the works hung around the painting and a selection of key documents, selected by the Museo’s Education Team and essential to gaining an idea of the picture’s historical background. Therefore, the tour looks to contribute to activating critical thought around this iconic and perpetually represented work and seeks to foster an approach which refreshes our gaze before the painting, thereby establishing a link with the present. Essentially revisiting to rethink Guernica.
UP/ROOTING
11, 12, 13, 14, 15, 16 NOV 2025
Museo Reina Sofía and MACBA Museu d'Art Contemporani de Barcelona (MACBA) invite applications for the 2025 iteration of the School of Common Knowledge, which will take place from November 11th to 16th in Madrid and Barcelona.
The School of Common Knowledge (SCK) draws on the network, knowledge and experience of L’Internationale, a confederation of museums, art organizations and universities that strives to reimagine and practice internationalism, solidarity and communality within the cultural field. This year, the SCK program focuses on the contested and dynamic notions of rooting and uprooting in the framework of present —colonial, migrant, situated, and ecological— complexities.
Building on the legacy of the Glossary of Common Knowledge and the current European program Museum of the Commons, the SCK invites participants to reflect on the power of language to shape our understanding of art and society through a co-learning methodology. Its ambition is to be both nomadic and situated, looking at specific cultural and geopolitical situations while exploring their relations and interdependencies with the rest of the world.
In the current context fraught with war and genocide, the criminalization of migration and hyper-identitarianism, concepts such as un/belonging become unstable and in need of collective rethinking:
How can we reframe the sense and practice of belonging away from reductive nationalist paradigms or the violence of displacement? How to critically hold the entanglement of the colonial routes and the cultural roots we are part of? What do we do with the toxic legacies we inherit? And with the emancipatory genealogies and practices that we choose to align with? Can a renewed practice of belonging and coalition-making through affinity be part of a process of dis/identification? What geographies —cultural, artistic, political— do these practices of de/centering, up/rooting, un/belonging and dis/alignment designate?
Departing from these questions, the program consists of a series of visits to situated initiatives (including Museo Situado, Paisanaje and MACBA's Kitchen, to name a few), engagements with the exhibitions and projects on view (Project a Black Planet: The Art and Culture from Panafrica), a keynote lecture by Stefano Harney and Fred Moten, as well as daily reading and discussion gatherings, editorial harvest sessions, and conviviality moments.
The (legal) person and the legal form. Chapter I
29 SEP, 2, 6, 9 OCT 2025
As part of the Studies Constellation, the Study Directoship’s annual fellowship, art historian and theorist Sven Lütticken leads the seminar The (Legal) Person and the Legal Form: Theoretical, Artistic, and Activist Commitments to foster dialogue and deepen the hypotheses and questions driving his research project.
This project, titled Unacting Personhood, Deforming Legal Abstraction, explores the dominance of real abstractions—such as exchange value and legal form—over our processes of subjectivation, and asks how artistic practices can open up alternative ways of representing or performing the subject and their legal condition in the contemporary world.
The seminar consists of eight two-hour sessions, divided into three chapters throughout the academic year. While conceived as non-public spaces for discussion and collective work, these sessions complement, nourish, and amplify the public program of the Studies Constellation.
This first chapter of the seminar, composed of four sessions, serves as an introduction to the fundamental issues of the research concerning theoretical, artistic, and activist engagements with the legal form. It includes four sessions dedicated respectively to: the legal form, through the work of French jurist, philosopher, and lawyer Bernard Edelman, with particular attention to his Marxist theory of photography (translated into German by Harun Farocki); the (legal) person, via contributions from Italian philosopher Roberto Esposito, academic, social justice activist, and writer Radha D’Souza, and visual artist Jonas Staal; land, through the work of researcher Brenna Bhandar—specialist in the colonial foundations of modern law and the notion of property—and artist, filmmaker, and researcher Marwa Arsanios; and international law, through the work of British writer China Miéville.
Through these and other readings, case study analyses, and collective discussions, the seminar aims to open a space for critical reflection on the ways in which the law—both juridical form and legal form—is performed and exceeded by artistic and activist practices, as well as by theoretical and political approaches that challenge its foundations and contemporary projections.