On Your Screen: Art History and the Museum Facing the Audiovisual Challenge

is a researcher and curator who works with Università luav di Venezia and Université Paris 8. A specialist in managing art archives and institutional memory, her work analyses the confluences between the audiovisual format, contemporary curating and the production of historical knowledge.

is an associate professor of Museum Policies, Heritage and Citizenship and Museum Education. She is an expert in heritage education and the political role of the museum, and noteworthy among her publications are Diritto alla bellezza (2017), Estetica della cittadinanza (2020) and Politics of the Arts and Collective Memory (2025).

is an audiovisual artist and independent researcher whose practice and work explore film experimentation, Video Art, contemporary aesthetics of the image and processes of creating and publishing as tools of critical and narrative analysis. 

holds a PhD in Art History and lectures at the University of Seville. His research specialises in the history of photography, cultural heritage and the formal analysis of visual languages.

is a pre-doctoral researcher in the Art History Department of the Complutense University of Madrid. She is a member of the ATLAS AV research project, her work focusing on the phenomenological analysis of the work of conceptual artist Antoni Muntadas and the relationship between art, perception and space.    

holds a PhD in Art History from the University of Padua. Her research centres on the critique between twentieth-century art and historiography, museology, discordant heritage and the relationship between word and image under political and ideological frameworks. She has published numerous essays and academic monographs. 

is a researcher and lecturer in the Art History Department of the University of Málaga. Her work focuses on the study of contemporary art, visual culture, digital aesthetics, Net Art and the relationships between new technology, interactivity and new media art. 

is a professor of Art History and Theory at Universidad Federal de Río de Janeiro, with a PhD in Cultural Anthropology. She is also a researcher of modern and contemporary art and its relationship to anthropology and politics. She has been a curator at the Museo de Arte de Río and co-curated the project MEME: In Br@zil in the Age of Memefication. 

is a researcher in the Art History Department of the University of Málaga. Her line of research approaches contemporary Spanish art, processes of alienation, creative autonomy and the development of Video Art and conceptual practices during Late Francoism and the Transition to democracy.  

holds a PhD in Communication and Cultural Industries from Universitat Politècnica de València. With experience stretching across twenty-five years, he lectures at UNIE Universidad (the International University of Business), UDIT (the University of Design, Innovation and Technology) and Universidad Anáhuac México. He is the creator of Huella M, the first methodology for managing museums’ sustainability, and also coordinates Erasmus+ European projects (for instance SUMED and RESPRO) and researches cultural sustainability, strategic communication, digital museums and video games for the purposes of social transformation.

is a professor and collaborating researcher at Universitat de Barcelona and Universitat Oberta de Catalunya. He holds a PhD in the Information and Knowledge Society, focusing his studies on political cinema, working-class cinema, social movements and the use of audiovisual archives as tools of collective historical memory. 

is an art historian and researcher at CEHTA-CRAL from EHESS in Paris. She specialises in analysing art documentaries, the epistemology of images and the relationship between cinema and the visual arts. Notable among her works are critical studies on filming contemporary artistic processes. 

is an adjunct professor of Modern and Contemporary Art at Radboud Universiteit. Her research focuses on critique, artistic pedagogy and the art of Latin America and the Global South. Of note is her publication ÁUDIO-VISUAL: The Slide as Medium in Brazilian Art (2020), resulting from her award-winning Princeton University doctoral dissertation. 

is an art historian, exhibition curator and researcher who works with the Museo Vasco (Euskal Museoa) and the University of the Basque Country. His field of research centres on the history of museum institutions, heritage management and manifestations of contemporary Basque art.  

is a pre-doctoral researcher at the University of Málaga. His work combines the history of digital art, digital aesthetics and artificial intelligence, and he analyses how generative models and computer technologies transform archives, heritage and cultural memory. 

is a researcher at UCLouvain (Université catholique de Louvain, Belgium). Specialising in visual culture, screen technologies and the field of digital art history, he researches new modes of verification and interactivity in digital environments. 

is an artist, curator and teacher whose work pivots on the creation and dissemination of contemporary art via independent publishing. Since 2001 she has been co-editor of Lalata (www.lalata.es), which brings together original works by numerous artists. She also conducts research into artists’ magazines in Spain and their makers.

is an artist and researcher who is a PhD candidate at the Complutense University of Madrid. His work combines contemporary artistic practice and academic research, and he has exhibited at international symposia and prestigious art spaces such as Matadero, Galería Magda Bellotti and centres in Lisbon and Tokyo.

is an artist and researcher with a PhD in Contemporary Art and Culture from the Río de Janeiro State University. He has exhibited his work individually and collectively on an international scale and participated at the Mercosur Biennial. With Diniz, he co-curated the show MEME: In Br@zil in the Age of Memefication.

is an eminent visual artist who holds a PhD in Art History and is a lecturer at the University of Córdoba. His research and creative work centre on the art of performance, the body as support, social critique and forms of audiovisual register in ephemeral art.

is a professor of the Theory of Perception and the Psychology of Form at the Academia de Bellas Artes de Palermo (ABAPA). A contemporary art critic and researcher, she is a member of AICA (Associazione Internazionale dei Critici d'Arte) and has curated international exhibitions, as well as publishing multiple essays on aesthetics and visual culture.

is a doctoral researcher at Università di Bologna, within the Arts Department. Her work focuses on the study of moving images, decolonial chronopolitics, experimental film practices and the critical analysis of contemporary and independent audiovisual archives.  

holds a PhD in Art History from the Complutense University of Madrid. Her research in museum studies centres on the visitor, participation and well-being. She has also worked through FPU and Margarita Salas grants, occupying international residencies and working with institutions such as Museo del Prado and the Museo Reina Sofía.

is a contemporary art historian, curator and researcher. She is a PhD candidate at Universitat de Barcelona, where she researches the decolonial turn in Spanish contemporary art, analysing curatorial practices, extractivism and institutional debates. She co-directs the FUGA gallery and has an extensive background in curating international projects, publishing academic magazines and cultural mediation from an interdisciplinary perspective. 

is an art historian at the University of Málaga, where she obtained an MA in the Social Developments of Art Culture. Her work combines historical analysis, digital humanities and Big Data applied to culture, and she has experience in exhibition design, focusing on gender perspective and exploring how digital innovation democratises access to art. 

is an art historian and doctoral researcher at the IUAV University of Venice. Her field of study centres on the practice of moving images, exhibition film, contemporary Video Art and points of convergence between curatorial logics and film environments.  

is a professor in the Art History Department at the University of Málaga. With a PhD in Art History (2004) and the recipient of a Doctoral Excellence Award, her research career is situated at the crossroads of contemporary art, visual culture, graphic design and the management of artistic and cultural heritage. Throughout her career, she has focused much of her work on twentieth-century design history, decorative and industrial arts and cultural manifestations. She also teaches on different degree and MA programmes, including subjects linked to design, aesthetics and the publishing industry. 

is a researcher in the Art History Department of the University of Granada. Her working strands include visual studies, the relationships between film and memory, the management and analysis of audiovisual archives and the representation of the past in contemporary culture. 

is a head professor in Art History at the University of Málaga. He researches the application of new digital technologies in museology, contemporary creation and historical heritage. Specialising in augmented reality, he has published distinguished books and annual volumes on digital conservation.  

is a lecturer in Film Theory, Visual Studies and Media Theory at Université Sorbonne Nouvelle – París and a senior member of the Institut Universitaire de France. A worldwide specialist in the theories of Serguéi Eisenstein, media archaeology and visual culture, he currently focuses his research on artificial intelligence’s impact on images and contemporary artistic practices. He has been a guest lecturer at Yale and Harvard and has curated benchmark exhibitions like Time Machine: Cinematic Temporalities and Le monde selon l'IA/The World Through AI.  

is an art historian and researcher at the Complutense University of Madrid. Her work focuses on the study of avant-garde cinema, Video Art, the aesthetic relationships between the visual arts and moving images and spectator theory in contemporary practices.   

is a head professor and researcher at the University of Seville, as well as an art critic and independent curator. He centres his work on contemporary art, the art market and exhibition dynamics. 

is a scholar, teacher and researcher who works with UNIE University. Her field of specialisation is framed within art disciplines and cultural management, actively collaborating in the university’s academic sphere and in higher-education training. 

is an art historian and PhD candidate at Sapienza Università di Roma. Her research spans Iberian and Andean visual culture, Colonial Baroque, environmental history and digital curating. She also has a strong interdisciplinary background in law, art history and curatorial studies.