For an Archive Imagination. Session 2

is a graphic artist, archivist and teacher. After studying at the Universidad Nacional de las Artes (UNA) and, with a study grant, at the Fondo Nacional de las Artes, she has been part of the group Cuatro//// Intervenciones Gráficas and the graphic cooperative La Voz de la Mujer, as well as developing the collective project Romero Archive for/to come and the Colectiva Editora Des-bordes. She is currently coordinator of the Southern Conceptualisms Network, where she articulates research, archives and editorial projects linked to political memory and artistic practices in Latin America.

is a PhD candidate in Social Sciences and Cultural Studies at the University of Buenos Aires and Bordeaux Montaigne University. Her research focuses on artistic and political forms of occupying urban space developed by artistic, sexual-dissident and feminist activisms in Argentina from 2001 to 2021. She is part of the Southern Conceptualisms Network Archive node and the team of Red Constelaciones, an activism and research project which looks to create a digital archive tool of aesthetics and poetics in street interventions and struggles from Argentina.

is a researcher, teacher and independent editor who currently lives in Lisbon. She holds a PhD in Research in the Arts, Humanities and Education from the University of Castilla-La Mancha. Díaz co-directs the publisher Manso Rojo Ediciones and is a member of the research group ARTEA and the International Network of Latin American and European Theatre Researchers (RITTLE). She has worked with art platforms in Colombia, Cuba, Ecuador, Panama, France, Canada, Brazil, Spain and Mexico, and, through live arts, her work experiments with ties between bodies, thought and writings, focusing on their sensorial, affective and political dimensions.

is an art historian, researcher and curator. She is a member of the curatorial collective [BLOK], founded in Zagreb in 2001, which aims to democratise art and culture, articulating resistance against privatisation attempts. In 2018 she started The Trešnjevka Neighborhood Museum project, working jointly with the community from the Trešnjevka neighbourhood to build a virtual collection of artistic, cultural and political productions to vindicate the memory of people living in the area, a working-class neighbourhood whose history has been omitted from national archives and institutions.

works in the Tentacular Museum Department of the Museo Reina Sofía’s Study Directorship.

is an art historian, independent researcher, curator, teacher and artist. She obtained a degree in Visual Arts History from the Arts Faculty at the Universidad Nacional de la Plata (UNLP), in La Plata, Argentina, and an MA in Contemporary Art History and Visual Culture from MNCARS/UAM Madrid, and at present she is a PhD candidate in History at the Escuela Interdisciplinaria de Altos Estudios Sociales (IDAES) from the Universidad de San Martín (UNSAM), Argentina. She is a member of the artistic activism collective Serigrafistas Queer and the Southern Conceptualisms Network platform for research, debate and collective positions, where she currently works as a coordinator.

s the founder and head of Casa de la Mujer de Huamachuco, a training and community services centre for improving quality of life for women in Renca, Chile. She is an arpillera (burlap) artist, a Chilean technique of embroidering on jute, hemp and esparto grass, a practice, traditionally carried out by women, which narrates social stories. She has pioneered training as one of the cornerstones of this community centre’s activities to fight against poverty, discrimination and economic violence.

is a PhD candidate in Anthropology at the Universidad Católica de Chile. Her research reflects on memory and the influence of artistic and creative practices in questioning notions of cultural heritage and the ways in which history in violent contexts is perceived and represented. Since 2022, she has worked in collaboration with the Casa de la Mujer de Huamachuco, linked to arpilleras and their creation, circulation and archiving.

is a film-maker, cultural manager, artistic researcher and co-director of the publisher Manso Rojo Ediciones. His filmography has been shown in France, Mexico, Chile, Peru, Bolivia, England, Colombia and Ecuador, while his works move between archive and documentary fiction, as well as the search for memory and individual and collective poetic-political history, with not only people at the centre but also exterior and interior landscapes and geographies. He is currently studying an MA in Communication Sciences at Universidad Nova de Lisboa, specialising in Film and Television, while he works on his film projects.

is a PhD candidate in Hispanic Studies, specialising in Gender Studies, at the University of Paris 8, and holds a degree in Quechua Language and Literature from INALCO (Institut National des Langues et Civilisations Orientales). She is a member of the LER (Laboratoire d’Études Romanes) labs and CERLOM (Centre d’Ètude et de Recherche sur les Littératures et les Oralités du Monde), and coordinates the multilingual museographic project Warmikuna - voces, rostros y memorias. Her research focuses on Peruvian literature in Spanish and Quechua, memory, political violence and Latin American feminisms.